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Communication and Critical/Cultural Studies Volume 14, 2017 - Issue 3
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Articles

Giving voice to the accused: Serial and the critical potential of true crime

Michael BuozisSchool of Media and Communication, Temple University, Philadelphia, USACorrespondence[email protected]
Pages 254-270 | Received 30 Jun 2016, Accepted 20 Nov 2016, Published online: 09 Feb 2017

Citations (19)

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Read on this site (3)

Natalia Vedric & Janine Little. (2023) True victims: men’s privilege, class, and violence against women in Making a Murderer and The Jinx. Feminist Media Studies 23:3, pages 975-990.
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Laura Vitis & Vanessa Ryan. (2023) True Crime Podcasts in Australia: Examining Listening Patterns and Listener Perceptions. Journal of Radio & Audio Media 30:1, pages 291-314.
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George S. Larke-Walsh. (2021) Injustice narratives in a post-truth society: emotional discourses and social purpose in Southwest of Salem: the story of the San Antonio four. Studies in Documentary Film 15:1, pages 89-104.
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Articles from other publishers (16)

Max Dosser. (2023) According to the Narrator, It Was a Dark and Stormy Night: Styles of Narration-as-Advocation in True-Crime Documentary Series. Journal of Film & Video 75:2, pages 45-62.
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Nicoletta Mandolini. 2023. Representing Gender-Based Violence. Representing Gender-Based Violence 143 163 .
Jessica Izquierdo-Castillo & Emma Torres-Romay. (2022) Women in the documentary industry: Continuing inequality in the streaming age. El Profesional de la información.
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Jason J. Griffith & Joseph D. Sweet. (2023) What Does “Going on the Record” Mean for Critical Media Literacy? Examining Informed Consent in Serial to Trouble Podcasts as Pedagogy . Teachers College Record: The Voice of Scholarship in Education 124:12, pages 35-61.
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Diana Rickard. (2023) The Devil Resides in Comfort: Constructs of Evil in Contemporary True Crime Series. The Journal of Popular Culture 55:6, pages 1270-1289.
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Danielle C. Slakoff. (2021) The Mediated Portrayal of Intimate Partner Violence in True Crime Podcasts: Strangulation, Isolation, Threats of Violence, and Coercive Control. Violence Against Women 28:6-7, pages 1659-1683.
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Martine van Driel. (2022) Genre expectations and discourse community membership in listener reviews of true crime-comedy podcast My Favorite Murder . Language and Literature: International Journal of Stylistics 31:2, pages 150-167.
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Rachel M. FriarsJesyka Traynor. (2022) ‘Dogged, Insightful, and Humane’: Writing Women’s Lives in Twenty-First-Century True Crime. Crime Fiction Studies 3:1, pages 10-25.
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Lorena R. Romero-Domínguez. 2021. Mass Mediated Representations of Crime and Criminality. Mass Mediated Representations of Crime and Criminality 71 90 .
Alexa Neale. 2021. Critiquing Violent Crime in the Media. Critiquing Violent Crime in the Media 77 111 .
Louise Wattis. 2021. Critiquing Violent Crime in the Media. Critiquing Violent Crime in the Media 279 303 .
Anne Kläs & Thomas Birkner. (2020) Listen! Let me tell you a story. kommunikation@gesellschaft 21:2.
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Rebecca Parrick & Brendan Chapman. (2020) Working the crowd for forensic research: A review of contributor motivation and recruitment strategies used in crowdsourcing and crowdfunding for scientific research. Forensic Science International: Synergy 2, pages 173-182.
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Elizabeth Yardley, Emma Kelly & Shona Robinson-Edwards. (2018) Forever trapped in the imaginary of late capitalism? The serialized true crime podcast as a wake-up call in times of criminological slumber. Crime, Media, Culture: An International Journal 15:3, pages 503-521.
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Greg Stratton. 2019. Crime, Deviance and Popular Culture. Crime, Deviance and Popular Culture 177 201 .
Colin Porlezza, Eleonora Benecchi & Cinzia Colapinto. 2018. Exploring Transmedia Journalism in the Digital Age. Exploring Transmedia Journalism in the Digital Age 183 201 .

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