Citations (9)
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Read on this site (5)
Maxim Tvorun-Dunn & Nathalie Pascaru. (2023) Environmentalism polluted: consumerism and complicity in Studio Ghibli’s media mix. Journal of Cultural Economy 0:0, pages 1-22.
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Alice Marianne Fritz. (2020) “Buy everything”: the model consumer-citizen of Disney’s Zootopia. Journal of Children and Media 14:4, pages 475-491.
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Carolyn Michelle, Ann L. Hardy, Charles H. Davis & Craig Hight. (2015) An unexpected controversy in Middle-earth: audience encounters with the ‘dark side’ of transnational film production. Transnational Cinemas 6:1, pages 49-66.
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Trevor Parry-Giles. (2011)
Harry Potter and the paradoxical critique of celebrity culture. Celebrity Studies 2:3, pages 305-319.
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Ted Striphas. (2009) Harry Potter and the Simulacrum: Contested Copies in an Age of Intellectual Property. Critical Studies in Media Communication 26:4, pages 295-311.
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Articles from other publishers (4)
Matthew SmithMatthew Smith. 2022. The Child in British Cinema. The Child in British Cinema
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Carolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig HightCarolyn Michelle, Charles H. Davis, Ann L. Hardy & Craig Hight. 2017. Fans, Blockbusterisation, and the Transformation of Cinematic Desire. Fans, Blockbusterisation, and the Transformation of Cinematic Desire
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Yu Shi. (2011) iPhones in China: The Contradictory Stories of Media-ICT Globalization in the Era of Media Convergence and Corporate Synergy. Journal of Communication Inquiry 35:2, pages 134-156.
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Jonathan Hardy. (2011) Mapping commercial intertextuality: HBO’s True Blood. Convergence: The International Journal of Research into New Media Technologies 17:1, pages 7-17.
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