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Citations (10)
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Read on this site (3)
Kate Sicchio. (2023) Live coding choreography: real-time programming with Terpsicode. International Journal of Performance Arts and Digital Media 19:2, pages 147-157.
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Emma Cocker. (2018) What now, what next—kairotic coding and the unfolding future seized. Digital Creativity 29:1, pages 82-95.
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Emma Cocker. (2017) Weaving Codes/Coding Weaves: Penelopean Mêtis and the Weaver-Coder’s Kairos. TEXTILE 15:2, pages 124-141.
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Articles from other publishers (7)
Joana Chicau & Jonathan Reus. (2023) Anatomical Intelligence: Live coding as performative dissection. Organised Sound, pages 1-15.
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Hussein Boon. (2023) Live Coding and Music Production as Hybrid Practice. Organised Sound, pages 1-11.
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Mattias Petersson. (2023) Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place. Organised Sound, pages 1-12.
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Emma Wilde & Mario Alberto Duarte-García. (2023)
Livecoderas Latinoamericanas
: Diversity, educational access and musicking networks in live coding in Latin America
. Organised Sound, pages 1-12.
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Selçuk Artut. (2023)
Live Coding in Music Theater—A Comprehensive Technique? The Case of
Dumrul and the Grim Reaper
. Leonardo 56:2, pages 199-204.
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Joanne Armitage & Helen Thornham. (2021) Don’t Touch My MIDI Cables: Gender, Technology and Sound in Live Coding. Feminist Review 127:1, pages 90-106.
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Hussein Boon. (2020) Using DAWs as modelling tools for learning design sound-based applications in education. Journal of Music, Technology & Education 13:2, pages 305-322.
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