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Critical Studies in Media Communication Volume 27, 2010 - Issue 5
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Original Articles

The Irony Bribe and Reality Television: Investment and Detachment in The Bachelor

Dana CloudCorrespondence[email protected]
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Pages 413-437 | Published online: 28 Jul 2010

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Read on this site (6)

Olivia Cossey & Jessica Martin. (2023) Women, anger and emotion management in Love Island. Feminist Media Studies 23:3, pages 1205-1221.
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L. Monique Ward, Petal Grower & Lauren A. Reed. (2022) Living Life as the Bachelor/ette: Contributions of Diverse Television Genres to Adolescents’ Acceptance of Gendered Sexual Scripts. The Journal of Sex Research 59:1, pages 13-25.
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Nathan Henry Bedsole. (2018) Voice as little object (a)rgument: on hearing Gore Vidal and William F. Buckley Jr.. Argumentation and Advocacy 54:4, pages 323-339.
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Jodi McAlister. (2018) What we talk about when we talk about love: declarations of love in the American and Australian Bachelor/ette Franchises. Continuum 32:5, pages 643-656.
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Joshua Gunn. (2018) On Political Perversion. Rhetoric Society Quarterly 48:2, pages 161-186.
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Eleanor Amaranth Lockhart. (2014) Consuming Reality: The Commercialization of Factual Entertainment, by June Deery and The Makeover: Reality Television and Reflexive Audiences, by Katherine Sender. Popular Communication 12:2, pages 117-121.
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Articles from other publishers (20)

Jenna N. Hanchey. 2023. The Center Cannot Hold. The Center Cannot Hold 217 230 .
Jenna N. Hanchey. 2023. The Center Cannot Hold. The Center Cannot Hold 195 215 .
Jenna N. Hanchey. 2023. The Center Cannot Hold. The Center Cannot Hold 185 193 .
Jenna N. Hanchey. 2023. The Center Cannot Hold. The Center Cannot Hold 163 184 .
Jenna N. Hanchey. 2023. The Center Cannot Hold. The Center Cannot Hold 141 162 .
Jenna N. Hanchey. 2023. The Center Cannot Hold. The Center Cannot Hold 117 140 .
Jenna N. Hanchey. 2023. The Center Cannot Hold. The Center Cannot Hold 88 114 .
Jenna N. Hanchey. 2023. The Center Cannot Hold. The Center Cannot Hold 58 87 .
Jenna N. Hanchey. 2023. The Center Cannot Hold. The Center Cannot Hold 25 57 .
Jenna N. Hanchey. 2023. The Center Cannot Hold. The Center Cannot Hold 1 22 .
Kristen E. Hoerl & Casey Ryan Kelly. (2023) Monetizing Failure: Fyre Fraud, Social Media, and the Normalization of Crisis. Journal of Communication Inquiry, pages 019685992311806.
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Jodi McAlister. (2021) The TV recap as paratext: Energizing, contextualizing, and modifying The Bachelor Australia . Media International Australia 185:1, pages 124-138.
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Scott Haden Church, Tom Robinson, Clark Callahan, Katherine Klotzer Barboza & Daniel Montez. (2020) Savvy viewers and (simulated) reality TV: An analysis of The Bachelor’s appeal to viewers. Journal of Popular Television, The 8:1, pages 23-43.
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Donna Chu. (2020) An (un)romantic journey: Authentic performance in a Chinese dating show. Global Media and China 5:1, pages 40-54.
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Esther Peeren & Irina Souch. (2019) Romance in the cowshed: Challenging and reaffirming the rural idyll in the Dutch reality TV show Farmer Wants a Wife. Journal of Rural Studies 67, pages 37-45.
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Steven Downing. (2017) They’re Not Mean Girls If They Are Adult Women: Reality Television’s Construction of Women’s Identity and Interpersonal Aggression. Sociological Research Online 23:1, pages 3-20.
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Annemieke J. M. van den Tol & Roger Giner-Sorolla. (2016) Listening to ironically-enjoyed music: A self-regulatory perspective. Psychology of Music 45:3, pages 321-337.
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Kim Hong Nguyen. 2017. Rhetoric in Neoliberalism. Rhetoric in Neoliberalism 1 14 .
Claudia Sadowski-Smith. (2014) Global migration meets TV format adaptation: The post-Soviet diaspora, ‘Whiteness’, and return migration in Dancing with the Stars (US) and Ukraine’s The Bachelor . European Journal of Cultural Studies 17:6, pages 753-768.
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Motti Neiger. (2011) Cultural Oxymora. Television & New Media 13:6, pages 535-550.
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