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Original Articles

The Hunger Games: Performing Not-performing to Authenticate Femininity and Whiteness

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Linsay M. Cramer & Gabriel A. Cruz. (2023) Black monstrosity and the rhetoric of whiteness in Disney’s Zombies trilogy. Critical Studies in Media Communication 40:4, pages 256-269.
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Jessica Sage Rauchberg. (2022) A different girl, but she’s nothing new: Olivia Rodrigo and posting imitation pop on TikTok. Feminist Media Studies 22:5, pages 1290-1294.
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Sage Mikkelsen & Sarah Kornfield. (2021) Girls Gone Fundamentalist: Feminine Appeals of White Christian Nationalism. Women's Studies in Communication 44:4, pages 563-585.
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Alisha L. Menzies & Emily D. Ryalls. (2020) Depicting Black Women, the Politics of Respectability, and HIV in Precious. Howard Journal of Communications 31:5, pages 481-492.
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Linsay M. Cramer. (2020) Whiteness and the Postracial Imaginary in Disney’s Zootopia. Howard Journal of Communications 31:3, pages 264-281.
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Mariah L. Wellman, Ryan Stoldt, Melissa Tully & Brian Ekdale. (2020) Ethics of Authenticity: Social Media Influencers and the Production of Sponsored Content. Journal of Media Ethics 35:2, pages 68-82.
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Heather Brown. (2019) Postfeminist Re-essentialism in The Hunger Games and The Selection Trilogies. Women's Studies 48:7, pages 735-754.
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David Baker & Elena Schak. (2019) The Hunger Games: transmedia, gender and possibility. Continuum 33:2, pages 201-215.
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Amanda Kay LeBlanc. (2018) “There’s nothing I hate more than a racist:” (Re)centering whiteness in American Horror Story: Coven. Critical Studies in Media Communication 35:3, pages 273-285.
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Emily D. Ryalls. (2018) Camping the “post-” on Scream Queens. Critical Studies in Media Communication 35:2, pages 166-179.
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Alfonso Gutiérrez-Martín & Alba Torrego-González. (2018) The Twitter games: media education, popular culture and multiscreen viewing in virtual concourses. Information, Communication & Society 21:3, pages 434-447.
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Casey Ryan Kelly. (2016) The man-pocalpyse: Doomsday Preppers and the rituals of apocalyptic manhood. Text and Performance Quarterly 36:2-3, pages 95-114.
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Dreama G. Moon. (2016) “Be/coming” White and the Myth of White Ignorance: Identity Projects in White Communities. Western Journal of Communication 80:3, pages 282-303.
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Christine Scodari. (2022) Unfamiliar Races in Untimely Places: Anti‐Essentialism and the Science Fiction Television Series The Expanse . The Journal of Popular Culture 55:4, pages 842-866.
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Neta YodovichNeta Yodovich. 2022. Women Negotiating Feminism and Science Fiction Fandom. Women Negotiating Feminism and Science Fiction Fandom 115 140 .
Emily D Ryalls & Sharon R Mazzarella. (2021) “Famous, Beloved, Reviled, Respected, Feared, Celebrated:” Media Construction of Greta Thunberg. Communication, Culture and Critique 14:3, pages 438-453.
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Nicholas Rickards. 2021. The Palgrave Handbook of Sport, Politics and Harm. The Palgrave Handbook of Sport, Politics and Harm 445 459 .
Shane T. Moreman & Alexandria J. Aiello. (2019) Prime-Time Television’s First White, Female U.S. President: Gender and Race Discourses of a Feminist Media Artifact. Journal of Communication Inquiry 44:2, pages 139-156.
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Ceren Mert. (2019) Global Cities and Organized Crime: The Shifting Urban Landscape of Gotham . The Journal of Popular Culture.
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Tatiana GOLBAN & Narin FİDAN. (2018) The Monomythic Journey of a New Heroine in the Hunger GamesAçlık Oyunlari Adlı Romandaki Yeni Kadın Kahramanın Monomitik Yolculuğu. HUMANITAS - Uluslararası Sosyal Bilimler Dergisi 6:12, pages 96-115.
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Jules Sandeau. (2018) Rébellions post-féministesPostfeminist rebellions : gender representations in young adult dystopian movies. Genre, sexualité et société:Hors-série n° 3.
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Rachel Hall. 2015. The Transparent Traveler. The Transparent Traveler 205 217 .

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