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Critical Studies in Media Communication Volume 34, 2017 - Issue 4
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Queer utopias and a (Feminist) Iranian vampire: a critical analysis of resistive monstrosity in A Girl Walks Home Alone at Night

Shadee AbdiDepartment of Communication Studies, University of Denver, Denver, CO, USAView further author information
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Bernadette Marie CalafellDepartment of Communication Studies, University of Denver, Denver, CO, USACorrespondence[email protected]
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Pages 358-370 | Received 27 Aug 2016, Accepted 28 Feb 2017, Published online: 16 Mar 2017

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Anita R. Gooding, Bobbi Ali Zaman, Sam J. Harrell, Sam Collins, Miriam J. Abelson & Ben Anderson-Nathe. (2023) Situated agency: How LGBTQ youth navigate and create queer(ed) space. Journal of LGBT Youth 20:3, pages 524-544.
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ben Brandley & Marco Dehnert. (2023) “I am not a Robot, I am Asexual”: A Qualitative Critique of Allonormative Discourses of Ace and Aro Folks as Robots, Aliens, Monsters. Journal of Homosexuality 0:0, pages 1-24.
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Fatima Zahrae Chrifi Alaoui. (2023) “You Know It’s Different in the Game Man”: Technodesiring, Technorelating, and TechnoBlackness as Analytical Modes of Queer Worldmaking in Black Mirror’s, “Striking Vipers”. Journal of Homosexuality 70:1, pages 192-209.
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Shinsuke Eguchi & Bernadette Marie Calafell. (2023) Queer Relationalities, Impossible: The Politics of Homonationalism and Failure in LOGO’s Fire Island. Journal of Homosexuality 70:1, pages 149-167.
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Haneen Shafeeq Ghabra & Walid Adel Afifi. (2022) Introduction: Writing Occupied Palestine: Toward a field of Palestinian Communication and Cultural Studies. Journal of International and Intercultural Communication 15:4, pages 355-359.
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Shinsuke Eguchi & Keisuke Kimura. (2021) Racialized im/possibilities: Intersectional queer-of-color critique on Japaneseness in Netflix’s Queer Eye: We’re in Japan!. Journal of International and Intercultural Communication 14:3, pages 221-239.
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Jimmie Manning, Godfried Asante, Lydia Huerta Moreno, Rebecca Johnson, Benny LeMaster, Yachao Li, Justin J. Rudnick, Danielle M. Stern & Stephanie Young. (2020) Queering communication studies: a Journal of Applied Communication Research forum. Journal of Applied Communication Research 48:4, pages 413-437.
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Kyle Christensen. (2020) Drinking and Disappearing: Vampiric Orality and Age As Challenging the Youthful Male Gaze in Let Me In. Women's Studies in Communication 43:2, pages 202-224.
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Ladan Rahbari. (2020) Duffs and Puffs: Queer Fashion in Iranian Cyberspace. Middle East Critique 29:1, pages 69-86.
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Shinsuke Eguchi. (2020) Sticky Rice Politics: Impossible Possibilities of Queerness in and Across Yellow Fever and Front Cover. Women's Studies in Communication 43:1, pages 67-84.
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Shinsuke Eguchi & Hannah R. Long. (2019) Queer Relationality as Family: Yas Fats! Yas Femmes! Yas Asians!. Journal of Homosexuality 66:11, pages 1589-1608.
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Ekin Pinar. (2023) The Place of Women’s Filmmaking in an Interdisciplinary Architecture Course. Open Screens 5:2.
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Amanda Howell & Lucy BakerAmanda Howell & Lucy Baker. 2022. Monstrous Possibilities. Monstrous Possibilities 119 134 .
Joanna Gwen Mansbridge. (2021) Law of Extraction: Transcultural Environments, Uncanny Subjects, and the “Unresolved Question of Pleasure” in Ana Lily Amirpour’s A Girl Walks Home Alone at Night (2014) . The Journal of Popular Culture 54:4, pages 811-831.
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Jessica Fontaine. (2021) When Girls Walk: Mobilities of and Resistance to Affective Atmospheres of Unwelcome. Space and Culture, pages 120633122098545.
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Agnieszka Stasiewicz-BieńkowskaAgnieszka Stasiewicz-Bieńkowska. 2021. Girls in Contemporary Vampire Fiction. Girls in Contemporary Vampire Fiction 75 121 .
Roberta Chevrette & Shinsuke Eguchi. (2020) “We Don’t See LGBTQ Differences”: Cisheteronormativity and Concealing Phobias and Irrational Fears Behind Rhetorics of Acceptance. QED: A Journal in GLBTQ Worldmaking 7:1, pages 55-59.
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Joanna Mansbridge. 2020. Female Agencies and Subjectivities in Film and Television. Female Agencies and Subjectivities in Film and Television 65 83 .

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