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Original Articles

Television as an aesthetic medium

Pages 161-173 | Published online: 18 May 2009

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Read on this site (13)

Savas Arslan & Tuna Tetik. (2021) Quality TV, Turkish Television History, and the Transformation of Sıfır Bir. Journal of Popular Film and Television 49:1, pages 40-51.
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Erika Engstrom & Joseph M. Valenzano$suffix/text()$suffix/text(). (2016) Religion and the Representative Anecdote: Replacement and Revenge in AMC’s The Walking Dead. Journal of Media and Religion 15:3, pages 123-135.
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Esteve Sanz. (2016) The creation of value in contemporary television: a grounded approach. International Journal of Cultural Policy 22:3, pages 419-437.
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JosephM. Valenzano$suffix/text()$suffix/text() & Erika Engstrom. (2014) Cowboys, Angels, and Demons: American Exceptionalism and the Frontier Myth in the CW's Supernatural . Communication Quarterly 62:5, pages 552-568.
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Paul Booth. (2012) The Television Social Network: Exploring TV Characters. Communication Studies 63:3, pages 309-327.
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Jonathan Roberge. (2011) The aesthetic public sphere and the transformation of criticism. Social Semiotics 21:3, pages 435-453.
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Luke Winslow. (2010) Comforting the Comfortable: Extreme Makeover Home Edition's Ideological Conquest. Critical Studies in Media Communication 27:3, pages 267-290.
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MICHAELAD.E. MEYER & DANIELLEM. STERN. (2007) The Modern(?) Korean Woman in Prime-Time: Analyzing the Representation of Sun on the Television Series Lost . Women's Studies 36:5, pages 313-331.
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Lois Foreman-Wernet & Brenda Dervin. (2005) Comparing Arts and Popular Culture Experiences: Applying a Common Methodological Framework. The Journal of Arts Management, Law, and Society 35:3, pages 169-187.
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David Thorburn. (1993) Interpretation and judgment: A reading of Lonesome Dove . Critical Studies in Mass Communication 10:2, pages 113-127.
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EthelS. Goodstein. (1992) Southern belles and southern buildings: The built environment as text and context in designing women . Critical Studies in Mass Communication 9:2, pages 170-185.
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Brad Chisholm. (1991) Difficult viewing: The pleasures of complex screen narratives. Critical Studies in Mass Communication 8:4, pages 389-403.
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Articles from other publishers (15)

Yasemin ÖZKENT & Aytekin CAN. (2021) “Nitelikli Televizyon”: Netflix Platformunda “Nitelikli Drama”nın Yeniden İnşası“Quality TV”: Reconstructing “Quality Drama” on Netflix. Selçuk İletişim 14:2, pages 674-698.
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Johan Lindell, Peter Jakobsson & Fredrik Stiernstedt. (2020) The field of television production: Genesis, structure and position-takings. Poetics 80, pages 101432.
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Julianne H. Newton. 2020. A Companion to Television. A Companion to Television 379 402 .
Ted Nannicelli. 2019. The Palgrave Handbook of the Philosophy of Film and Motion Pictures. The Palgrave Handbook of the Philosophy of Film and Motion Pictures 949 970 .
조윤실. (2018) Strategies for Translating TV Nature Documentary for Dubbing —In the Perspective of Chesterman’s Norm Theory. The Journal of Translation Studies 19:3, pages 287-314.
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Adam Andrzejewski & Mateusz Salwa. (2018) Law and TV Series. Brill Research Perspectives in Art and Law 2:2, pages 1-74.
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Luis Mauro Sá Martino. (2016) Aproximações entre Estética e Comunicação: aberturas possíveis e diálogos entre os conceitos. Intexto, pages 14-29.
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Esteve Sanz & Thomas Crosbie. (2016) The meaning of digital platforms: Open and closed television infrastructure. Poetics 55, pages 76-89.
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Nuran Erol Işık. (2013) Parables as indicators of popular wisdom: The making of piety culture in Turkish television dramas. European Journal of Cultural Studies 16:5, pages 565-581.
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Christoph Klimmt, Christian Roth, Ivar Vermeulen, Peter Vorderer & Franziska Susanne Roth. (2012) Forecasting the Experience of Future Entertainment Technology. Games and Culture 7:3, pages 187-208.
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Jonathan Roberge. (2012) De la critique culturelle dans la société civile globale. La part des mouvements sociaux, des médiacultures et des crises humanitaires. Sociologie et sociétés 44:1, pages 61-78.
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Peter Schneck. 2011. Rhetoric and Evidence. Rhetoric and Evidence 274 292 .
Pei-Wen Lee & Michaela D. E. Meyer. (2010) “We All Have Feelings for Our Girlfriends:” Progressive (?) Representations of Lesbian Lives on the The L Word. Sexuality & Culture 14:3, pages 234-250.
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Michaela D. E. Meyer. (2009) “I’m Just Trying to Find my Way Like Most Kids”: Bisexuality, Adolescence and the Drama of One Tree Hill. Sexuality & Culture 13:4, pages 237-251.
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William A. Gamson. 1999. Eigenwilligkeit und Rationalität sozialer Prozesse. Eigenwilligkeit und Rationalität sozialer Prozesse 127 144 .

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