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Critical Studies in Mass Communication Volume 9, 1992 - Issue 2: Public Domain
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Original Articles

Critical perspectives on the history and philosophy of copyright

Ronald V. Bettig Assistant Professor of Communications, Pennsylvania State University
Pages 131-155 | Published online: 18 May 2009

Citations (16)

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Read on this site (5)

Seung-Hwan Mun. (2013) Printing press without copyright: a historical analysis of printing and publishing in Song, China. Chinese Journal of Communication 6:1, pages 1-23.
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Andrew Herman & JohnM. Sloop. (1998) The politics of authenticity in postmodern rock culture: The case of Negativland and the letter ‘U’ and the numeral ‘2‘ . Critical Studies in Mass Communication 15:1, pages 1-20.
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Leigh Maxwell & ThomasA. McCain. (1997) Gateway or gatekeeper: The implications of copyright and digitalization on education. Communication Education 46:3, pages 141-157.
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RonaldV. Bettig. (1997) The enclosure of cyberspace. Critical Studies in Mass Communication 14:2, pages 138-157.
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RichardL. Johannesen. (1995) The ethics of plagiarism reconsidered: The oratory of Martin Luther King, Jr.. Southern Communication Journal 60:3, pages 185-194.
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Articles from other publishers (11)

Heather McIntosh. 2016. A Companion to Popular Culture. A Companion to Popular Culture 518 536 .
Abu BhuiyanAbu Bhuiyan. 2014. Internet Governance and the Global South. Internet Governance and the Global South 113 135 .
Sal Humphreys. 2013. Digital Rights Management. Digital Rights Management 335 353 .
Sal Humphreys. 2012. Media in the Ubiquitous Era. Media in the Ubiquitous Era 248 266 .
Jiehan Zhou, Mika Rautiainen, Zhonghong Ou & Mika Ylianttila. 2012. Media in the Ubiquitous Era. Media in the Ubiquitous Era 251 268 .
John L. Sullivan. 2011. Media and Social Justice. Media and Social Justice 159 175 .
Yu Shi. (2010) Product Placement and Digital Piracy: How Young Chinese Viewers React to the Unconventional Method of Corporate Cultural Globalization. Communication, Culture & Critique 3:3, pages 435-463.
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James W. Hamilton. (2016) Remaking Media Participation in Early Modern England. Journalism 4:3, pages 293-313.
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Matt Jackson. (2002) From Private to Public: Reexamining the Technological Basis for Copyright. Journal of Communication 52:2, pages 416-433.
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CECILE W. GARMON. (2016) Intellectual Property Rights. American Behavioral Scientist 45:7, pages 1145-1158.
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Thomas G. Schumacher. (2016) `This is a sampling sport':1 digital sampling, rap music and the law in cultural production. Media, Culture & Society 17:2, pages 253-273.
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