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Original Articles

A sense of space: Virtual reality, authenticity and the aural

Pages 238-252 | Published online: 18 May 2009

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Read on this site (6)

Jonathan Sterne. (2005) Digital Media and Disciplinarity. The Information Society 21:4, pages 249-256.
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Steve Jones. (2002) MUSIC THAT MOVES: POPULAR MUSIC, DISTRIBUTION AND NETWORK TECHNOLOGIES. Cultural Studies 16:2, pages 213-232.
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Lance Strate. (1999) The varieties of cyberspace: Problems in definition and delimitation. Western Journal of Communication 63:3, pages 382-412.
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Anne L. Russell. (1997) Nonexpert Conceptions of Virtual Reality. Journal of Research on Computing in Education 30:1, pages 53-66.
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Articles from other publishers (17)

Sandra Maria Correira Loureiro, Paulo Rita & Eduardo Moraes Sarmento. (2019) What is the core essence of small city boutique hotels?. International Journal of Culture, Tourism and Hospitality Research 14:1, pages 44-62.
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Norah Campbell, Cormac Deane & Padraig Murphy. (2017) The sounds of nanotechnology. Nature Nanotechnology 12:7, pages 606-610.
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Chris McRae. (2013) From “All of Me” to “All of You”. Cultural Studies ↔ Critical Methodologies 13:2, pages 115-124.
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Paul Sanden. (2012) Virtual liveness and sounding cyborgs: John Oswald's ‘Vane’. Popular Music 31:1, pages 45-68.
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Juan‐Carlos Molleda. (2010) Authenticity and the construct's dimensions in public relations and communication research. Journal of Communication Management 14:3, pages 223-236.
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John Richardson. (2005) "The Digital Won't Let Me Go": Constructions of the Virtual and the Real in Gorillaz' "Clint Eastwood"1. Journal of Popular Music Studies 17:1, pages 1-29.
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Jonathan Sterne. (2005) Pour en finir avec la fidélité (les médias sont des instruments). Mouvements 42:5, pages 43.
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