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Popular Communication
The International Journal of Media and Culture
Volume 6, 2008 - Issue 3: Euro Visions: Culture, Identity and Politics in the Eurovision Song Contest
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Article

On the Couch with Europe: The Eurovision Song Contest, the European Broadcast Union and Belonging on the Old Continent

Cornel Sandvoss University of Surrey, Correspondence[email protected]
Pages 190-207 | Published online: 08 Jul 2008

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Gal Ariely, Hila Zahavi & Tal Hasdai-Rippa. (2023) National identity as a cultural filter: External perceptions of the EU in Israel. Journal of European Integration 45:6, pages 945-962.
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Arno van der Hoeven. (2015) Remembering the 1960s: popular music and memory in Europe. International Journal of Cultural Policy 21:3, pages 258-272.
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Julien Danero Iglesias. (2015) Eurovision song contest and identity crisis in Moldova. Nationalities Papers 43:2, pages 233-247.
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James Pamment. (2014) Strategic Narratives in US Public Diplomacy: A Critical Geopolitics. Popular Communication 12:1, pages 48-64.
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Alexander Badenoch. (2013) ‘In what language do you like to sing best?’ Placing popular music in broadcasting in post-war Europe. European Review of History: Revue européenne d'histoire 20:5, pages 837-857.
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Articles from other publishers (15)

Hila Zahavi & Gal Ariely. (2023) External perceptions of the European Union in Israel—the role of norms and culture. European Union Politics 24:4, pages 708-725.
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Zhen Troy ChenZhen Troy Chen. 2021. China’s Music Industry Unplugged. China’s Music Industry Unplugged 23 61 .
Gad Yair. (2018) Douze point: Eurovisions and Euro-Divisions in the Eurovision Song Contest – Review of two decades of research. European Journal of Cultural Studies 22:5-6, pages 1013-1029.
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Joseph Andrew Smith. (2019) Destabilization, adaptation and the long-term fan object: The search for continuity in later-life sports fandom. Journal of Fandom Studies, The 7:2, pages 169-188.
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Catherine Baker. 2019. Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956. Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956 175 200 .
Alison Lewis & John Hajek. 2019. Eurovision and Australia. Eurovision and Australia 165 187 .
Maria Kyriakidou, Michael Skey, Julie Uldam & Patrick McCurdy. (2017) Media events and cosmopolitan fandom: ‘Playful nationalism’ in the Eurovision Song Contest. International Journal of Cultural Studies 21:6, pages 603-618.
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Daniel Stockemer, André Blais, Filip Kostelka & Chris Chhim. (2017) Voting in the Eurovision Song Contest. Politics 38:4, pages 428-442.
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C. Lee Harrington & Denise Bielby. 2018. A Companion to Media Fandom and Fan Studies. A Companion to Media Fandom and Fan Studies 77 90 .
Jessica CarnielJessica Carniel. 2018. Understanding the Eurovision Song Contest in Multicultural Australia. Understanding the Eurovision Song Contest in Multicultural Australia 45 62 .
Jessica CarnielJessica Carniel. 2018. Understanding the Eurovision Song Contest in Multicultural Australia. Understanding the Eurovision Song Contest in Multicultural Australia 27 44 .
Jessica CarnielJessica Carniel. 2018. Understanding the Eurovision Song Contest in Multicultural Australia. Understanding the Eurovision Song Contest in Multicultural Australia 17 25 .
Jayne Luscombe. 2015. Identity Discourses and Communities in International Events, Festivals and Spectacles. Identity Discourses and Communities in International Events, Festivals and Spectacles 173 191 .
Paul C. Adams. (2011) Multilayered regionalization in Northern Europe. GeoJournal 77:3, pages 293-313.
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C. Lee HarringtonDenise D. Bielby. (2010) A life course perspective on fandom. International Journal of Cultural Studies 13:5, pages 429-450.
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