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Popular Communication
The International Journal of Media and Culture
Volume 13, 2015 - Issue 4
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Articles

Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–2013

Julian SchaapErasmus University RotterdamCorrespondence[email protected]
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Pages 272-287 | Published online: 10 Nov 2015

Citations (12)

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Read on this site (2)

Julian Schaap & Pauwke Berkers. (2020) “Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content. Consumption Markets & Culture 23:6, pages 599-615.
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Jordan M. McClain & Myles Ethan Lascity. (2020) Toward the Study of Framing Found in Music Journalism. Popular Music and Society 43:1, pages 20-33.
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Articles from other publishers (10)

Bernard East. (2023) Death of a guitar hero: The art of metal reputation maintenance. Metal Music Studies 9:2, pages 171-188.
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Ziye Tang & Shuhua Zhou. 2023. Music and Engagement in the Asian Political Space. Music and Engagement in the Asian Political Space 67 98 .
Julian Schaap, Jeroen van der Waal & Willem de Koster. (2021) Black Rap, White Rock: Non‐Declarative Culture and the Racialization of Cultural Categories. Sociological Inquiry 92:4, pages 1281-1305.
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Madis Järvekülg & Patrik Wikström. (2021) The emergence of promotional gatekeeping and converged local music professionals on social media. Convergence: The International Journal of Research into New Media Technologies 28:5, pages 1358-1375.
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Timothy J. Dowd, Trent Ryan, Vaughn Schmutz, Dionne Parris, Ashlee Bledsoe & Dan Semenza. (2019) Retrospective Consecration Beyond the Mainstream: The Creation of a Progressive Rock Canon. American Behavioral Scientist 65:1, pages 116-139.
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Catherine HoadCatherine Hoad. 2021. Heavy Metal Music, Texts, and Nationhood. Heavy Metal Music, Texts, and Nationhood 1 15 .
Julian Schaap & Pauwke Berkers. (2020) “You’re Not Supposed to Be into Rock Music”: Authenticity Maneuvering in a White Configuration. Sociology of Race and Ethnicity 6:3, pages 416-430.
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Samira Van Bohemen & Anouk Roeling. (2020) Techno’s Sexual Counter-Space: Ecstasy and Electronics as Technologies of White Sex. Cultural Sociology 14:1, pages 42-60.
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Samira van Bohemen, Julian Schaap & Pauwke Berkers. 2020. Popular Music, Technology, and the Changing Media Ecosystem. Popular Music, Technology, and the Changing Media Ecosystem 115 128 .
Pauwke Berkers & Julian Schaap. 2018. Gender Inequality in Metal Music Production. Gender Inequality in Metal Music Production 119 144 .

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