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Articles

‘Same old song’: on audio-visual style in the films of Wes Anderson

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Pages 28-45 | Published online: 17 Nov 2011

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Read on this site (4)

Rubén de la Prida. (2023) Anderson, the Poet—On the Heterochronical Use of Time in Wes Anderson’s Cinema. Quarterly Review of Film and Video 0:0, pages 1-19.
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Timotheus Vermeulen. (2019) Neoliberalism and class tourism in The Darjeeling Limited. New Review of Film and Television Studies 17:3, pages 331-348.
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Ruchika Gurung. (2017) Fatherhood, Narcissism, and Indulging in the Absurd in The Life Aquatic with Steve Zissou. Quarterly Review of Film and Video 34:8, pages 746-764.
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Sunhee Lee. (2016) Wes Anderson’s ambivalent film style: the relation between mise-en-scène and emotion. New Review of Film and Television Studies 14:4, pages 409-439.
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Articles from other publishers (7)

Rubén De la Prida Caballero. (2023) Patológicos, enamorados y redimidos. Imágenes del artista en el cine de Wes Anderson. Anales de Historia del Arte 33, pages 255-277.
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Ainhoa Gómez-Pintado, Judit Martínez-Abajo & Ana Luisa López-Vélez. (2022) Análisis de la instalación Escenografía de juego para crecer con la cultura, dirigida al primer ciclo de 0-3 años de Educación Infantil. Una propuesta de viaje a través del juego y el arte. Arte, Individuo y Sociedad 34:4, pages 1579-1601.
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Manuel Blanco-Pérez. (2022) Cine, fotografía y arquitectura: la composición simétrica y la noción de arquitecturización en la obra de Wes Anderson. Antecedentes visuales de la película La crónica francesa. Arte, Individuo y Sociedad 34:4, pages 1407-1426.
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Michael Stringer. (2021) Over and Over, and Over Again: Tension, Repetition, and Catharsis in the Films of Wes Anderson. Film Matters 12:2, pages 98-110.
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Jennifer O’Meara. 2014. The Films of Wes Anderson. The Films of Wes Anderson 109 124 .
Kim Wilkins. 2014. The Films of Wes Anderson. The Films of Wes Anderson 25 37 .
James MacDowell. 2014. The Films of Wes Anderson. The Films of Wes Anderson 153 169 .

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