Citations (11)
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Read on this site (4)
Rubén de la Prida. (2023) It’s not funny! – On Wes Anderson’s comedy and genre hybridizations. Comedy Studies 14:2, pages 191-207.
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Zachary Tyler Vickers. (2022) Flat America: Ennui in American Eccentric Cinema. Quarterly Review of Film and Video 0:0, pages 1-30.
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Ruchika Gurung. (2017) Fatherhood, Narcissism, and Indulging in the Absurd in The Life Aquatic with Steve Zissou. Quarterly Review of Film and Video 34:8, pages 746-764.
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Kim Wilkins. (2013) The sounds of silence: hyper-dialogue and American Eccentricity. New Review of Film and Television Studies 11:4, pages 403-423.
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Articles from other publishers (7)
Rubén De la Prida Caballero. (2023) Patológicos, enamorados y redimidos. Imágenes del artista en el cine de Wes Anderson. Anales de Historia del Arte 33, pages 255-277.
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Jules Sandeau. (2022) L’appel de l’ombre: lumière et blanchité dans les films de Ryan Gosling. Miranda:24.
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Michael Stringer. (2021) Over and Over, and Over Again: Tension, Repetition, and Catharsis in the Films of Wes Anderson. Film Matters 12:2, pages 98-110.
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Nicholas Holm. 2017. Satire and Politics. Satire and Politics
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James MacDowellJames MacDowell. 2016. Irony in Film. Irony in Film
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Jennifer O’Meara. 2014. The Films of Wes Anderson. The Films of Wes Anderson
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Kim Wilkins. 2014. The Films of Wes Anderson. The Films of Wes Anderson
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