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New Review of Film and Television Studies Volume 14, 2016 - Issue 3: The Crime Drama on Transnational Television
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Original Articles

Landscapes in the frame: exploring the hinterlands of the British procedural drama

Les RobertsDepartment of Media and Communication, School of the Arts, University of Liverpool, Liverpool, UKCorrespondence[email protected]
Pages 364-385 | Published online: 31 May 2016

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Sanna Wicks. (2023) Using film to interpret a sense of place: a practice-based case study. Media Practice and Education 24:4, pages 380-392.
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Robert A. Saunders. (2019) Small Screen IR: A Tentative Typology of Geopolitical Television. Geopolitics 24:3, pages 691-727.
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Kim Toft Hansen & Valentina ReKim Toft Hansen & Valentina Re. 2024. Peripheral Locations in European TV Crime Series. Peripheral Locations in European TV Crime Series 183 213 .
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Kim Toft Hansen & Valentina ReKim Toft Hansen & Valentina Re. 2024. Peripheral Locations in European TV Crime Series. Peripheral Locations in European TV Crime Series 19 50 .
Sanna Wicks & Pietari Kääpä. (2022) Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media. Critical Studies in Television: The International Journal of Television Studies 18:4, pages 424-440.
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Ellen Grünkemeier. (2023) Investigating Broadchurch as a terrain of struggle: The cultural and political potential of British television crime drama. Journal of Popular Television, The 11:3, pages 231-244.
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Anders Grønlund. (2022) Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice . Critical Studies in Television: The International Journal of Television Studies 18:2, pages 206-223.
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Dina Brode-Roger. 2023. Svalbard Imaginaries. Svalbard Imaginaries 95 117 .
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Jamie Steele. (2021) Gazing on Pas-de-Calais: The Romance and Nostalgia of “The Tourist’s Gaze” in Pas son genre (Lucas Belvaux, 2014). InMedia:9.1..
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Rosamund Davies. 2021. Script Development. Script Development 113 128 .
Anna Estera Mrozewicz. (2020) The Landscapes of Eco-Noir Reimagining Norwegian eco-exceptionalism in Occupied . Nordicom Review 41:s1, pages 85-105.
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Pei-Sze Chow, Anne Marit Waade & Robert A. Saunders. (2020) Geopolitical Television Drama Within and Beyond the Nordic Region. Nordicom Review 41:s1, pages 11-27.
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Irina Souch. (2020) Transformations of the Evil Forest in the Swedish Television Series Jordskott : An ecocritical reading . Nordicom Review 41:s1, pages 107-122.
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Robert A. Saunders. (2020) Landscape, Geopolitics, and National Identity in the Norwegian Thrillers Occupied and Nobel . Nordicom Review 41:s1, pages 63-83.
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Ruth McElroy. 2020. Danish Television Drama. Danish Television Drama 63 80 .
Anne Marit Waade. 2020. Danish Television Drama. Danish Television Drama 231 252 .
Anne Marit Waade. 2020. Nordic Noir, Adaptation, Appropriation. Nordic Noir, Adaptation, Appropriation 37 53 .
Faye Woods. (2019) Wainwright's West Yorkshire: Affect and Landscape in the Television Drama of Sally Wainwright. Journal of British Cinema and Television 16:3, pages 346-366.
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Concepción Cascajosa Virino. (2018) Un nuevo sentido del lugar. Las narraciones del sur y la geopolítica en el proceso de renovación de la ficción televisiva española de género criminal. Arbor 194:789, pages 473.
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Elke Weissmann. 2018. European Television Crime Drama and Beyond. European Television Crime Drama and Beyond 119 137 .
Gunhild Agger & Anne Marit Waade. 2018. European Television Crime Drama and Beyond. European Television Crime Drama and Beyond 61 82 .
Yvonne GriggsYvonne Griggs. 2018. Adaptable TV. Adaptable TV 67 104 .
Anne Marit Waade. (2017) Melancholy in Nordic noir. Critical Studies in Television: The International Journal of Television Studies 12:4, pages 380-394.
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Kim Toft Hansen & Anne Marit WaadeKim Toft Hansen & Anne Marit Waade. 2017. Locating Nordic Noir. Locating Nordic Noir 207 225 .

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