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Ethnomusicology Forum Volume 18, 2009 - Issue 1: Screened Music: Global Perspectives
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Original Articles

Nature and Nation: National Identity and Environmentalism in Icelandic Popular Music Video and Music Documentary

Nicola DibbenCorrespondence[email protected]
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Pages 131-151 | Published online: 28 May 2009

Citations (21)

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Juha Ridanpää. (2022) ‘Carbon footprint nationalism’: re-conceptualizing Finnish nationalism and national pride through climate change discourse. National Identities 24:4, pages 429-446.
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Rowan Bayliss Hawitt. (2020) ‘It’s a part of me and I’m a part of it’: ecological thinking in contemporary Scottish folk music. Ethnomusicology Forum 29:3, pages 333-355.
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Tore Størvold. (2019) Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland. Popular Music and Society 42:4, pages 395-418.
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Johannes Gerrit De Kruijf & Anne Toppen. (2014) Dollars and Delusion: Global Finance, Cultural Trauma and Ethno-economic Subjectivity in Post-boom Iceland. Journal of Contemporary European Studies 22:4, pages 377-394.
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Articles from other publishers (17)

Vadim Chaly & Olga V. Popova. (2023) Narrativization of human population genetics: Two cases in Iceland and Russia. Public Understanding of Science.
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Ian Jenkins & Robert Bristow. 2022. Festival and Event Tourism. Festival and Event Tourism 49 63 .
Margret Sigrun Sigurdardottir, Kristjan Mar Gunnarsson & Arnar Eggert Thoroddsen. (2021) “Icelandic Music or Music from Iceland?” The Image of Icelandic Popular Music in British Media. Journal of World Popular Music 8:2.
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David Verbuč. (2021) Ethnography in Western Popular Music Research Revisited. Journal of World Popular Music 8:2.
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Benjamin Lassauzet. (2021) À propos d’identité : analyse de la pop music islandaise moderne de Björk. Musurgia Volume XXVII:3, pages 7-26.
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NIMROD BARANOVITCH. (2020) The Ethnic Ecocritical Animal: Animal protagonists and ethnic environmentalism in contemporary Sino-Mongolian literature and art. Modern Asian Studies 55:3, pages 1015-1063.
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Marion Brachet. (2021) Multiple and Sustained Climaxes in Icelandic Post-Rock: For an Expansion of the Notion of Musical ClimaxClimax multiples et prolongés dans le post-rock islandais : pour une extension de la notion de climax musical. Transposition:9.
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Ove Larsen. (2020) Rock i Rana – 60-tallsmusikken som narrativ ognostalgi. Heimen 57:2, pages 137-151.
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Nigel Clark. 2019. Political Geology. Political Geology 263 292 .
Tore Størvold. (2018) Sigur Rós: reception, borealism, and musical style. Popular Music 37:3, pages 371-391.
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Elina Djebbari. (2018) Vidéochoréomorphose : danses et vidéo-clips au MaliVideochoreomorphoses: Dancing and Music Videos in Mali. Volume !:14 : 2, pages 137-160.
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Murali Balaji & Thomas Sigler. (2017) Glocal riddim: cultural production and territorial identity in Caribbean music videos. Visual Communication 17:1, pages 91-111.
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Erin Sweeney Smith. (2017) Post-imperialism, imaginary geography and the women of Led Zeppelin's IV . Popular Music 36:3, pages 410-426.
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Mary Hawkins & Helena Onnudottir. (2017) Land, Nation and Tourist. Anthropological Journal of European Cultures 26:2, pages 110-126.
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Nimrod Baranovitch. (2015) Ecological Degradation and Endangered Ethnicities: China's Minority Environmental Discourses as Manifested in Popular Songs. The Journal of Asian Studies 75:1, pages 181-205.
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Nick Prior. (2014) ‘It’s A Social Thing, Not a Nature Thing’: Popular Music Practices in Reykjavík, Iceland. Cultural Sociology 9:1, pages 81-98.
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Paal Fagerheim. (2014) Sounding Sámi Sentiments - Musical Practices in the Production of Ethnicity. Studia Musicologica Norvegica 40:1, pages 63-84.
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