Advanced search
Publication Cover
Journal of Postcolonial Writing Volume 47, 2011 - Issue 5: Tracing the Urban Imaginary in the Postcolonial Metropolis and the "New" Metropolis
Submit an article Journal homepage
1,058
Views
10
CrossRef citations to date
0
Altmetric
Articles

Intermedial fictions of the “new” metropolis: Calcutta, Delhi and Cairo in the graphic novels of Sarnath Banerjee and G. Willow WilsonFootnote1

Cecile Sandten Chemnitz University of Technology, GermanyCorrespondence[email protected]
Pages 510-522 | Published online: 01 Nov 2011

Citations (10)

Keep up to date with the latest research on this topic with citation updates for this article.

Subscribe to citation updates

Read on this site (9)

Ritam Sarkar & Somdatta Bhattacharya. (2023) Urban comics and social justice: restructuring neoliberal spaces of Delhi in Sarnath Banerjee’s all quiet in Vikaspuri. Journal of Graphic Novels and Comics 14:5, pages 697-717.
Read now
Shilpa Shirishkumar Tanna & Geetha Bakilapadavu. (2023) Sarnath Banerjee: audience, craft and creative politics. Journal of Graphic Novels and Comics 0:0, pages 1-19.
Read now
Rudrani Gangopadhyay. (2021) Paratext city as text:new strategies in reading (and mapping) in Sarnath Banerjee’s The Barn Owl’s Wondrous Capers. Journal of Graphic Novels and Comics 12:6, pages 1285-1306.
Read now
Debanjana Nayek. (2021) Subverting the dominant structure through graphic narratives: from the dissenting printed comics to the subcultural noise of webcomics. Journal of Graphic Novels and Comics 12:6, pages 1346-1368.
Read now
Shilpa Shirishkumar Tanna & Geetha Bakilapadavu. (2021) Revealing Layers: Sarnath Banerjee’s The Barn Owl’s Wondrous Capers. Journal of Graphic Novels and Comics 12:5, pages 500-515.
Read now
Dominic Davies. (2018) Urban comix: Subcultures, infrastructures and “the right to the city” in Delhi. Journal of Postcolonial Writing 54:3, pages 411-430.
Read now
Anuja Madan. (2018) Slow Violence and Water Racism in Sarnath Banerjee’s All Quiet in Vikaspuri. South Asian Review 39:1-2, pages 125-143.
Read now
Lopamudra Basu. (2018) Mapping Postcolonial Masculinity in Sarnath Banerjee’s The Barn Owl’s Wondrous Capers. South Asian Review 39:1-2, pages 34-49.
Read now
E. Dawson Varughese. (2016) “The cracks of post-liberalized India”: Storying the “New Society” through Banerjee’s The Harappa Files (2011). Journal of Postcolonial Writing 52:4, pages 494-509.
Read now

Articles from other publishers (1)

E. Dawson VarugheseE. Dawson Varughese. 2018. Visuality and Identity in Post-millennial Indian Graphic Narratives. Visuality and Identity in Post-millennial Indian Graphic Narratives 23 62 .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Order Reprints Request Corporate Permissions

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

Request Academic Permissions

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.

Related research

People also read lists articles that other readers of this article have read.

Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine.

Cited by lists all citing articles based on Crossref citations.
Articles with the Crossref icon will open in a new tab.