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Journal of Postcolonial Writing Volume 48, 2012 - Issue 3: Orientalism and terrorism: Theory, text, and images after 9/11
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Orientalism, terrorism and Bombay cinema

Karen Gabriel St Stephen’s College, Hindu College, Delhi UniversityCorrespondence[email protected]
&
P.K. Vijayan St Stephen’s College, Hindu College, Delhi University
Pages 299-310 | Published online: 01 Jun 2012

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Waseem Ahad. (2022) Old imaginaries in a new frame: the politics of Bollywood’s ‘social problem films’ on Kashmir. Contemporary South Asia 30:4, pages 586-600.
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Nadira Khatun. (2022) Interrogating a “New” Identity of Bengali Muslims in Arshinagar, Zulfiqar and Kabir. Quarterly Review of Film and Video 0:0, pages 1-21.
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Clelia Clini. (2015) International terrorism? Indian popular cinema and the politics of terror. Critical Studies on Terrorism 8:3, pages 337-357.
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Roshni Sengupta, Amaresh Jha, Devanjan Khuntia, Pavan Kumar & Kaustav Padmapati. Indian Screen Cultures and the Redefinition of Nationhood: The Evolution of Contemporary Productions and the Myth of ‘National Security’. Quarterly Review of Film and Video 0:0, pages 1-20.
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Articles from other publishers (1)

Natasha Anand. (2016) “I Am Trying” to Perform Like an Ideal Boy: The Construction of Boyhood through Corporal Punishment and Educational Discipline in Taare Zameen Par. Boyhood Studies 9:1.
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