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Special Focus: "In/Visibility and African Thrillers"

“Nothing is truly hidden”: visibility, aesthetics and Yasmina Khadra’s detective fiction

Pages 74-86 | Published online: 12 Dec 2012

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Saba Pirzadeh. (2021) Neoliberal extraction and aquatic resistance in Helon Habila’s Oil on Water. Journal of Postcolonial Writing 57:4, pages 513-524.
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Karl Ågerup. (2018) Knowing an Arab: Yasmina Khadra and the aesthetics of didactic fiction. Critique: Studies in Contemporary Fiction 59:2, pages 180-190.
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Articles from other publishers (1)

Jihan Zakarriya. (2021) Randomness and Political Complexity in the Contemporary Arab Novel. Comparative Critical Studies 18:2-3, pages 259-283.
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