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Journal of Postcolonial Writing Volume 52, 2016 - Issue 4: Trans/forming literature: graphic novels, migration and postcolonial identity
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Original Articles

“The cracks of post-liberalized India”: Storying the “New Society” through Banerjee’s The Harappa Files (2011)

E. Dawson VarugheseIndependent Scholar, UK;Independent Scholar, IndiaCorrespondence[email protected]
Pages 494-509 | Published online: 12 Oct 2016

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Read on this site (6)

Shilpa Shirishkumar Tanna & Geetha Bakilapadavu. (2023) Sarnath Banerjee: audience, craft and creative politics. Journal of Graphic Novels and Comics 0:0, pages 1-19.
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Rudrani Gangopadhyay. (2021) Paratext city as text:new strategies in reading (and mapping) in Sarnath Banerjee’s The Barn Owl’s Wondrous Capers. Journal of Graphic Novels and Comics 12:6, pages 1285-1306.
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E. Dawson Varughese. (2021) ‘Drawing thoughts together’: Indian artists’ reflections on the post-millennial Indian graphic narratives scene. Journal of Graphic Novels and Comics 12:5, pages 483-499.
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Dominic Davies. (2019) Literary non-fiction and the neo-liberal city: Subalternity and urban governance in Katherine Boo’s Behind the Beautiful Forevers. Journal of Postcolonial Writing 55:1, pages 94-107.
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Dominic Davies. (2018) Urban comix: Subcultures, infrastructures and “the right to the city” in Delhi. Journal of Postcolonial Writing 54:3, pages 411-430.
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E. Dawson Varughese & Rajinder Dudrah. (2016) Introduction. South Asian Popular Culture 14:1-2, pages 1-5.
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Articles from other publishers (1)

E. Dawson VarugheseE. Dawson Varughese. 2018. Visuality and Identity in Post-millennial Indian Graphic Narratives. Visuality and Identity in Post-millennial Indian Graphic Narratives 101 115 .

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