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Journal of Mathematics and Music
Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance
Volume 10, 2016 - Issue 1
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Articles

Empirically testing Tonnetz, voice-leading, and spectral models of perceived triadic distance

Andrew J. MilneMARCS Institute, Western Sydney University, Sydney, AustraliaCorrespondence[email protected]
&
Simon HollandMusic Computing Lab, The Open University, Milton Keynes, UK
Pages 59-85 | Received 09 Aug 2015, Accepted 06 Feb 2016, Published online: 26 Apr 2016

Citations (14)

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Read on this site (2)

Andrew J. Milne, David Bulger & Steffen A. Herff. (2017) Exploring the space of perfectly balanced rhythms and scales. Journal of Mathematics and Music 11:2-3, pages 101-133.
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Peter beim Graben. Gauge symmetries of musical and visual forces. Journal of Mathematics and the Arts 0:0, pages 1-36.
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Articles from other publishers (12)

Xiao HAN, Fuyang CHEN, Rui TIAN & Feng GAN. (2023) Quantum adaptive approach to chord consonance modeling. Proceedings of the Romanian Academy, Series A: Mathematics, Physics, Technical Sciences, Information Science 24:2, pages 167-178.
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Isabella Masina. (2023) Triad’s consonance and dissonance: a detailed analysis of compactness models. The European Physical Journal Plus 138:7.
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Benjamin Himpel. (2022) Geometry of Music Perception. Mathematics 10:24, pages 4793.
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Isabella Masina, Giuseppe Lo Presti & Domenico Stanzial. (2022) Dyad’s consonance and dissonance: combining the compactness and roughness approaches. The European Physical Journal Plus 137:11.
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Gabriele Cecchetti, Steffen A. Herff, Christoph Finkensiep, Daniel Harasim & Martin A. Rohrmeier. (2022) Hearing functional harmony in jazz: A perceptual study on music-theoretical accounts of extended tonality. Musicae Scientiae, pages 102986492211222.
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Andrew Goldman, Peter M. C. Harrison, Tyreek Jackson & Marcus T. Pearce. (2021) Reassessing Syntax-Related ERP Components Using Popular Music Chord Sequences. Music Perception 39:2, pages 118-144.
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Robert Lieck & Martin Rohrmeier. (2021) Discretisation and continuity: The emergence of symbols in communication. Cognition 215, pages 104787.
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Robert Lieck, Fabian C. Moss & Martin Rohrmeier. (2020) The Tonal Diffusion Model. Transactions of the International Society for Music Information Retrieval 3:1, pages 153.
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Eline Adrianne Smit, Andrew J. Milne, Roger T. Dean & Gabrielle Weidemann. (2019) Perception of affect in unfamiliar musical chords. PLOS ONE 14:6, pages e0218570.
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Roger T. Dean, Andrew J. Milne & Freya Bailes. (2019) Spectral Pitch Similarity is a Predictor of Perceived Change in Sound- as Well as Note-Based Music. Music & Science 2, pages 205920431984735.
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Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson & Marcelo M. Wanderley. 2019. New Directions in Music and Human-Computer Interaction. New Directions in Music and Human-Computer Interaction 1 20 .
Steffen A Herff, Kirk N Olsen, Roger T Dean & Jon Prince. (2018) Memory for melodies in unfamiliar tuning systems: Investigating effects of recency and number of intervening items. Quarterly Journal of Experimental Psychology 71:6, pages 1367-1381.
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