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The Quarterly Journal of Experimental Psychology Volume 60, 2007 - Issue 4
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Original Articles

Instrument specificity in experienced musicians

Ulrich C. Drost Max Planck Institute for Human Cognitive and Brain Sciences, Munich, Germany
,
Martina Rieger Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, GermanyCorrespondence[email protected]
&
Wolfgang Prinz Max Planck Institute for Human Cognitive and Brain Sciences, Munich, Germany; Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, Germany
Pages 527-533 | Received 27 Jan 2006, Published online: 13 Apr 2007

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Andrew Goldman. (2019) Live coding helps to distinguish between embodied and propositional improvisation. Journal of New Music Research 48:3, pages 281-293.
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Keith Phillips, Andrew Goldman & Tyreek Jackson. (2019) Hand Shape Familiarity Affects Guitarists’ Perception of Sonic Congruence. Auditory Perception & Cognition 2:1-2, pages 82-97.
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Lauren Stewart, Rinus G. Verdonschot, Patrick Nasralla & Jennifer Lanipekun. (2013) Action–perception coupling in pianists: Learned mappings or spatial musical association of response codes (SMARC) effect?. The Quarterly Journal of Experimental Psychology 66:1, pages 37-50.
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Joachim Hoffmann, Alexandra Lenhard, Albrecht Sebald & Roland Pfister. (2009) Movements or targets: What makes an action in action–effect learning?. The Quarterly Journal of Experimental Psychology 62:12, pages 2433-2449.
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Bruno H. Repp & Günther Knoblich. (2009) Performed or observed keyboard actions affect pianists' judgements of relative pitch. The Quarterly Journal of Experimental Psychology 62:11, pages 2156-2170.
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Articles from other publishers (16)

Nina K. Fisher, Lauren V. Hadley, Ruth E. Corps & Martin J. Pickering. (2021) The effects of dual-task interference in predicting turn-ends in speech and music. Brain Research 1768, pages 147571.
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Topher Logan & Roger Chaffin. (2020) Movement is part of the meaning of music notation: A musical Stroop effect for trombonists. Psychology of Music 49:4, pages 828-840.
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Peter Q. Pfordresher, Chihiro Honda, Emma Greenspon & Karen Chow. (2020) Generalization of novel sensorimotor associations among pianists and non-pianists: more evidence that musical training effects are constrained. Psychological Research 85:5, pages 1934-1942.
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Franco Delogu, Riccardo Brunetti, Alberto Inuggi, Claudio Campus, Claudia Del Gatto & Alessandro D’Ausilio. (2019) That does not sound right: Sounds affect visual ERPs during a piano sight-reading task. Behavioural Brain Research 367, pages 1-9.
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Martin Lachmair, Ulrike Cress, Tim Fissler, Simone Kurek, Jan Leininger & Hans-Christoph Nuerk. (2017) Music-space associations are grounded, embodied and situated: examination of cello experts and non-musicians in a standard tone discrimination task. Psychological Research 83:5, pages 894-906.
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JONATHAN GOLDMAN. (2018) Gérard Grisey, Accordionist. Twentieth-Century Music 15:1, pages 11-29.
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Giacomo Novembre & Peter E. Keller. 2018. Springer Handbook of Systematic Musicology. Springer Handbook of Systematic Musicology 523 537 .
J. Eric T. Taylor & Jessica K. Witt. (2014) Listening to music primes space: pianists, but not novices, simulate heard actions. Psychological Research 79:2, pages 175-182.
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Giacomo Novembre & Peter E. Keller. (2014) A conceptual review on action-perception coupling in the musicians’ brain: what is it good for?. Frontiers in Human Neuroscience 8.
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B. Gebel, Ch. Braun, E. Kaza, E. Altenmüller & M. Lotze. (2013) Instrument specific brain activation in sensorimotor and auditory representation in musicians. NeuroImage 74, pages 37-44.
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Peter Q. Pfordresher & James T. Mantell. (2012) Effects of altered auditory feedback across effector systems: Production of melodies by keyboard and singing. Acta Psychologica 139:1, pages 166-177.
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Peter Q. Pfordresher, Peter E. Keller, Iring Koch, Caroline Palmer & Ece Yildirim. (2011) Activation of learned action sequences by auditory feedback. Psychonomic Bulletin & Review 18:3, pages 544-549.
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Pietro Davide Trimarchi & Claudio Luzzatti. (2010) Implicit chord processing and motor representation in pianists. Psychological Research 75:2, pages 122-128.
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Alessandro D’Ausilio, Riccardo Brunetti, Franco Delogu, Cristina Santonico & Marta Olivetti Belardinelli. (2009) How and when auditory action effects impair motor performance. Experimental Brain Research 201:2, pages 323-330.
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Peter Schwenkreis, Susan El Tom, Patrick Ragert, Burkhard Pleger, Martin Tegenthoff & Hubert R. Dinse. (2007) Assessment of sensorimotor cortical representation asymmetries and motor skills in violin players. European Journal of Neuroscience 26:11, pages 3291-3302.
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Simone Schütz-Bosbach & Wolfgang Prinz. (2007) Perceptual resonance: action-induced modulation of perception. Trends in Cognitive Sciences 11:8, pages 349-355.
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