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Auditory expectations for newly acquired structures

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Pages 1646-1664 | Received 28 Feb 2009, Published online: 19 Feb 2010

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Yvonne Leung & Roger T. Dean. (2018) Learning a well-formed microtonal scale: Pitch intervals and event frequencies. Journal of New Music Research 47:3, pages 206-225.
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Marcelo Muniz & Maria Ines Nogueira. (2017) Considerations about reward mechanisms and maintaining the functional nature of tonal music. Cogent Arts & Humanities 4:1.
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Tatiana Selchenkova, Mari Riess Jones & Barbara Tillmann. (2014) The influence of temporal regularities on the implicit learning of pitch structures. The Quarterly Journal of Experimental Psychology 67:12, pages 2360-2380.
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Jon B. Prince. (2011) The integration of stimulus dimensions in the perception of music. The Quarterly Journal of Experimental Psychology 64:11, pages 2125-2152.
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Jamie DeCoster & Jamie O’Mally. (2011) Specific Sequence Effects in the Serial Reaction Time Task. Journal of Motor Behavior 43:3, pages 263-273.
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Articles from other publishers (21)

Sarah A. Sauvé, Praveena Satkunarajah & Benjamin Rich Zendel. (2023) Tracking the emergence of a pitch hierarchy using an artificial grammar requires extended exposure. Frontiers in Cognition 2.
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Claudia Iorio, Iva Šaban, Bénédicte Poulin-Charronnat & James R Schmidt. (2022) Incidental learning in music reading: The music contingency learning task. Quarterly Journal of Experimental Psychology 76:2, pages 429-449.
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Scott A. Miles, David S. Rosen, Shaun Barry, David Grunberg & Norberto Grzywacz. (2021) What to Expect When the Unexpected Becomes Expected: Harmonic Surprise and Preference Over Time in Popular Music. Frontiers in Human Neuroscience 15.
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Nina Politimou, Pedro Douglass-Kirk, Marcus Pearce, Lauren Stewart & Fabia Franco. (2021) Melodic expectations in 5- and 6-year-old children. Journal of Experimental Child Psychology 203, pages 105020.
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C. Guillemin & B. Tillmann. (2020) Implicit learning of two artificial grammars. Cognitive Processing 22:1, pages 141-150.
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Peter M. C. Harrison, Roberta Bianco, Maria Chait & Marcus T. Pearce. (2020) PPM-Decay: A computational model of auditory prediction with memory decay. PLOS Computational Biology 16:11, pages e1008304.
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Bhavya Mor, Sunita Garhwal & Ajay Kumar. (2019) A Systematic Literature Review on Computational Musicology. Archives of Computational Methods in Engineering 27:3, pages 923-937.
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Tatiana Jarret, Anika Stockert, Sonja A. Kotz & Barbara Tillmann. (2019) Implicit learning of artificial grammatical structures after inferior frontal cortex lesions. PLOS ONE 14:9, pages e0222385.
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David RW Sears, Marcus T Pearce, Jacob Spitzer, William E Caplin & Stephen McAdams. (2018) Expectations for tonal cadences: Sensory and cognitive priming effects. Quarterly Journal of Experimental Psychology 72:6, pages 1422-1438.
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Yvonne Leung & Roger Thornton Dean. (2018) Learning unfamiliar pitch intervals: A novel paradigm for demonstrating the learning of statistical associations between musical pitches. PLOS ONE 13:8, pages e0203026.
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Johanna Bebout & Eva Belke. (2017) Language play facilitates language learning: Optimizing the input for gender-like category induction. Cognitive Research: Principles and Implications 2:1.
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Martin Rohrmeier & Richard Widdess. (2017) Incidental Learning of Melodic Structure of North Indian Music. Cognitive Science 41:5, pages 1299-1327.
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J. Terry, C. J. Stevens, G. Weidemann & B. Tillmann. (2016) Implicit learning of between-group intervals in auditory temporal structures. Attention, Perception, & Psychophysics 78:6, pages 1728-1743.
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Jia Hoong Ong, Denis Burnham & Paola Escudero. (2015) Distributional Learning of Lexical Tones: A Comparison of Attended vs. Unattended Listening. PLOS ONE 10:7, pages e0133446.
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Tatiana Selchenkova, Cl?ment Fran?ois, Daniele Sch?n, Alexandra Corneyllie, Fabien Perrin & Barbara Tillmann. (2014) Metrical Presentation Boosts Implicit Learning of Artificial Grammar. PLoS ONE 9:11, pages e112233.
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David Sears, William E. Caplin & Stephen McAdams. (2014) Perceiving the Classical Cadence. Music Perception 31:5, pages 397-417.
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Martin Rohrmeier & Ian Cross. (2013) Artificial Grammar Learning of Melody Is Constrained by Melodic Inconsistency: Narmour's Principles Affect Melodic Learning. PLoS ONE 8:7, pages e66174.
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Martin Rohrmeier & Patrick Rebuschat. (2012) Implicit Learning and Acquisition of Music. Topics in Cognitive Science 4:4, pages 525-553.
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Diana Omigie, Marcus T. Pearce & Lauren Stewart. (2012) Tracking of pitch probabilities in congenital amusia. Neuropsychologia 50:7, pages 1483-1493.
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Clément François, Barbara Tillmann & Daniele Schön. (2012) Cognitive and methodological considerations on the effects of musical expertise on speech segmentation. Annals of the New York Academy of Sciences 1252:1, pages 108-115.
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Casey Lew-Williams & Jenny R. Saffran. (2012) All words are not created equal: Expectations about word length guide infant statistical learning. Cognition 122:2, pages 241-246.
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