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Studies in Australasian Cinema Volume 9, 2015 - Issue 2: Looking Back in Order to Look Forward: Re-Scripting and Re-Framing Screen Production Research
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Articles

Freeing the imagination: ‘the best movie is the one in my head’

Isabelle DelmotteScreen and Media Studies, University of Waikato, Gate 1 Knighton Road, Hamilton, Waikato3240, New ZealandCorrespondence[email protected]
Pages 171-186 | Published online: 19 Aug 2015

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Read on this site (1)

Alison Walker. (2021) Archival resonances: embodied libraries and the corporeal lives of sonic effects. Sound Studies 7:2, pages 206-224.
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Articles from other publishers (2)

Kath Dooley. 2019. The Palgrave Handbook of Screen Production. The Palgrave Handbook of Screen Production 131 144 .
Alison Walker. (2018) Embodied Resonances: The Sonic Pathways in Jean-Marc Vallée's film Wild . The New Soundtrack 8:2, pages 119-134.
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