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Journal of Chinese Cinemas Volume 10, 2016 - Issue 2
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Articles

Pema Tseden and the Tibetan road movie: space and identity beyond the ‘minority nationality film’

Chris BerryDepartment of Film Studies, King's College London, Strand, LondonWC2R 2LS, United KingdomCorrespondence[email protected]
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Pages 89-105 | Published online: 08 Apr 2016

Citations (9)

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Read on this site (2)

Yang Li. (2023) Tracking on the “Edge” of Chinese Discourses: Drawing the Trajectories of Pema Tseden’s “Tibetan” Filmmaking in the PRC. Quarterly Review of Film and Video 0:0, pages 1-35.
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Shaoyan Ding. (2017) Articulating for Tibetan Experiences in the Contemporary World: A Cultural Study of Pema Tseden’s and Sonthar Gyal’s Films. Critical Arts 31:6, pages 44-58.
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Articles from other publishers (6)

Zoran Lee Pecic. (2023) Boxed within the frame: Tibetan masculinities in transformation in Pema Tseden’s Jinpa. New Cinemas: Journal of Contemporary Film.
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Siyao Lin & Thomas Bauer. (2023) La relation de domination Han sur le peuple tibétain : l’exemple du biopic sportif chinois 40 000 Kilometers de Keke (2017). Staps Pub. anticipées:0, pages I67-XVI.
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Thomas White. (2023) Sparks from the friction of terrain: Transport animals, borderlands, and the territorial imagination in China. Environment and Planning D: Society and Space 41:3, pages 433-450.
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Xiaotong Wang. (2023) Buddhist Spirituality and Disadvantaged Social Strata in the Films of Pema Tseden. Religions 14:5, pages 606.
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Haina Jin. 2022. The Palgrave Handbook of Chinese Language Studies. The Palgrave Handbook of Chinese Language Studies 603 616 .
Kun Qian. 2019. Ecology and Chinese-Language Cinema. Ecology and Chinese-Language Cinema 223 238 .

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