Citations (5)
Keep up to date with the latest research on this topic with citation updates for this article.
Read on this site (2)
Shan Tong & Ran Ma. (2023) It is all about qingnian dianying: Post-independent Chinese cinema, auteurism, and the FIRST International Film Festival. Journal of Chinese Cinemas 0:0, pages 1-23.
Read now
Read now
Lichen Zhen & Wenhong Chen. (2023) Switching power or surviving on the margin? Wanda Group as a case study for understanding network power in China. Chinese Journal of Communication 16:3, pages 229-249.
Read now
Read now
Articles from other publishers (3)
Yaeri Kim. (2021)
Historical Drama in the Time of Global Streaming Platforms: Envisioning Transition in
Mr. Sunshine
. Television & New Media 23:6, pages 610-628.
Crossref
Crossref
Hongzhe Kang, Dong Ma, Megat Al Imran Yasin, Mohd Nizam Osman, Lay Hoon Ang & Mengyu Li. (2022) Analysis of Consumer Aspirations on Chinese Films among Chinese Malaysians. Mobile Information Systems 2022, pages 1-9.
Crossref
Crossref
Yi Liao, Yuxuan Peng, Songlin Shi, Victor Shi & Xiaohong Yu. (2020) Early box office prediction in China’s film market based on a stacking fusion model. Annals of Operations Research 308:1-2, pages 321-338.
Crossref
Crossref