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Journal of International and Intercultural Communication Volume 3, 2010 - Issue 1
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ARTICLES

To Be or Not To Be?—China's Cultural Policy and Counterhegemony Strategy Toward Global Hollywood from 1994 to 2000

Wendy SuCorrespondence[email protected]
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Pages 38-58 | Published online: 07 Jan 2010

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Read on this site (4)

Yang Li. (2023) Tracking on the “Edge” of Chinese Discourses: Drawing the Trajectories of Pema Tseden’s “Tibetan” Filmmaking in the PRC. Quarterly Review of Film and Video 0:0, pages 1-35.
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Boris Lok Fai Pun & Anthony Fung. (2022) Ramifications of cultural exports for cultural dynamics: assimilation of McDull, a Hong Kong movie series relocated to China. Inter-Asia Cultural Studies 23:3, pages 459-475.
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Aimei Yang. (2013) When Transnational Civil Network Meets Local Context: An Exploratory Hyperlink Network Analysis of Northern/Southern NGOs' Virtual Network in China. Journal of International and Intercultural Communication 6:1, pages 40-60.
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Srividya Ramasubramanian & Sarah Kornfield. (2012) Japanese Anime Heroines as Role Models for U.S. Youth: Wishful Identification, Parasocial Interaction, and Intercultural Entertainment Effects. Journal of International and Intercultural Communication 5:3, pages 189-207.
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Articles from other publishers (2)

Dal Yong Jin. (2012) Transforming the global film industries. International Communication Gazette 74:5, pages 405-422.
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Marta Forns. (2013) Hollywood Films in the Non-Western World: What are the Criteria Followed by the Chinese Government When Choosing Hollywood Film Imports?. SSRN Electronic Journal.
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