José Satsumi López Morales. 2023. Encyclopedia of Sustainable Management. Encyclopedia of Sustainable Management
1732
1735
.
Junmoni Borgohain, Rashmi Ranjan Behera, Chirashree Srabani Rath & Priyadarshi Patnaik. 2023. Advances in Speech and Music Technology. Advances in Speech and Music Technology
249
268
.
Apoorva Nanjangud & Stijn Reijnders. (2022) On the Tracks of Musical Screenscapes: Analysing the Emerging Phenomenon of Bollywood Filmi-song Tourism in Iceland. Tourist Studies 22:2, pages 175-199.
Crossref
Stine Agnete Sand & Thomas Vordal. (2021) ‘Northern, not Nordic noir’: A Norwegian case study on crime series and strategies for transnational television. Journal of Scandinavian Cinema 11:2, pages 157-176.
Crossref
Uttaran Dutta. (2021) Understating South Asia interculturally and communicatively: What the contemporary scholarship tells us. Sociology Compass 15:5.
Crossref
Suman Mishra. 2021. Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music. Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music
55
72
.
José Satsumi López Morales. 2020. Encyclopedia of Sustainable Management. Encyclopedia of Sustainable Management
1
5
.
Devina Sarwatay. 2020. The Handbook of Media Education Research. The Handbook of Media Education Research
85
95
.
Rajalakshmi Ananda Kumar & Sowndaram C. S. Ravi. 2020. Handbook of Research on Social and Cultural Dynamics in Indian Cinema. Handbook of Research on Social and Cultural Dynamics in Indian Cinema
113
126
.
. (2020) Fusion Sign-Vehicles: A Semiotics Analysis of Social and Musical Behavior in South Asian Fusion A Cappella. Excellence in Performing Arts Research 6:1.
Crossref
Sangeeta Devanathan. (2019) Indian Consumers’ Assessment of ‘Luxuriousness’: A Comparison of Indian and Western Luxury Brands. IIM Kozhikode Society & Management Review 9:1, pages 84-95.
Crossref
Diana Coryat & Noah Zweig. (2019) Nuevo cine ecuatoriano: pequeño, glocal y plurinacional. post(s) 5.
Crossref
Stine Agnete Sand. (2019) Small places, universal stories. Diversity,film policy and the geographical dimension of filmmaking. Nordisk kulturpolitisk tidsskrift 22:1, pages 8-25.
Crossref
Ruben Gowricharn. (2017) Practices in taste maintenance. The case of Indian diaspora markets. Journal of Consumer Culture 19:3, pages 398-416.
Crossref
Małgorzata Parda. (2019) Determinants of the spatial diffusion of Bollywood cinema. Miscellanea Geographica 23:1, pages 33-38.
Crossref
Manjari Shah, Dharti Takwani, Pooja Sharma & Rajalakshmi Sriram. 2019. Fathering in India. Fathering in India
169
185
.
Marissa Joanna Doshi. 2018. Media and Power in International Contexts: Perspectives on Agency and Identity. Media and Power in International Contexts: Perspectives on Agency and Identity
101
131
.
Toluwani Oloke & Sarab Kochhar. (2018) The African Union Commission’s Multinational Ebola Campaign Informed by and against the Decision-Making Model for Localization. Journal of Intercultural Communication 18:3, pages 1-12.
Crossref
Arpana Awwal. (2018) From Villain to Hero: Masculinity and Political Aesthetics in the Films of Bangladeshi Action Star Joshim. BioScope: South Asian Screen Studies 9:1, pages 24-45.
Crossref
Madhumita Nanda, Chinmay Pattnaik & Qiang (Steven) Lu. (2018) Innovation in social media strategy for movie success. Management Decision 56:1, pages 233-251.
Crossref
Sandhya Rao Mehta. 2018. Language and Literature in a Glocal World. Language and Literature in a Glocal World
1
11
.
Christian Agbobli. (2015) La communication internationale : état des lieux et perspectives de recherche pour le XXIe siècleInternational Communication: Overview and Research Perspectives for the 21st Century. Communiquer. Revue de communication sociale et publique:15, pages 65-84.
Crossref
Jérémie Molho. (2019) Global Cities and Cultural Diversity Governance: Comparing Doha and Singapore. SSRN Electronic Journal.
Crossref