Citations (26)
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Read on this site (20)
Caio Simões de Araújo & Srila Roy. (2022) Intimate Archives: Interventions on Gender, Sexuality and Intimacies. African Studies 81:3-4, pages 255-265.
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Caio Simões de Araújo. (2022) Sex, Lives and Videotape: The Transhistoricity of an Itinerant Visual Archive. African Studies 81:3-4, pages 354-375.
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Pamila Gupta. (2021) Ways of Seeing Wetness. Wasafiri 36:2, pages 37-47.
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Wamuwi Mbao. (2020) Culture and spectacle: making meaning from the spectacular reception of Inxeba. Agenda 34:2, pages 78-85.
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Brian Michael Müller. (2020) The mark of the mask: queer neo-ethnographies and double consciousness in post-apartheid South Africa. Safundi 21:1, pages 85-109.
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Pamila Gupta. (2018) (Sensuous) Ways of Seeing in Stone Town, Zanzibar: patina, pose, punctum. Critical Arts 32:1, pages 59-74.
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Julie Moreau. (2017) “Homophobia hurts”: Mourning as resistance to violence in South Africa. Journal of Lesbian Studies 21:2, pages 204-218.
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Gemma Killen. (2017) Archiving the Other or Reading Online Photography as Queer Ephemera. Australian Feminist Studies 32:91-92, pages 58-74.
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Keguro Macharia. (2016) 5 Reflections on Trans* & Taxonomy (with Neo Musangi). Critical Arts 30:4, pages 495-506.
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Irene Bronner. (2016) Queering portraits of “maids” and “madams” in Zanele Muholi’s “Massa” and Mina(h). de arte 51:2, pages 16-31.
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Íde Corley. (2016) An Interview with Zanele Muholi. Wasafiri 31:1, pages 22-29.
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Stephanie Selvick. (2015) Positive Bleeding: Violence and Desire in Works by Mlu Zondi, Zanele Muholi, and Makhosazana Xaba. Safundi 16:4, pages 443-465.
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Jane Bennett & Vasu Reddy. (2015) ‘African positionings’: South African relationships with continental questions of lgbti justice and rights. Agenda 29:1, pages 10-23.
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Natasha Bissonauth. (2014) Zanele Muholi's Affective Appeal to Act. Photography and Culture 7:3, pages 239-251.
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Helene Strauss. (2014) Spectacles of Promise and Disappointment: Political Emotion and Quotidian Aesthetics in Video Installations by Berni Searle and Zanele Muholi. Safundi 15:4, pages 471-495.
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Leigh Blanckenberg & Haley McEwen. (2014) The writing is on the wall: Affect and conscientisation in the queer & trans Art-iculations Talk-back Station. Agenda 28:4, pages 61-74.
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Patricia C. Henderson. (2014)
Exit/Exist: Gregory Maqoma's dance and the call to life. Anthropology Southern Africa 37:1-2, pages 7-18.
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Kerry Bystrom & Sarah Nuttall. (2013) INTRODUCTION. Cultural Studies 27:3, pages 307-332.
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Zethu Matebeni. (2013) INTIMACY, QUEERNESS, RACE. Cultural Studies 27:3, pages 404-417.
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Andrew van der Vlies. (2012) Queer knowledge and the politics of the gaze in contemporary South African photography: Zanele Muholi and others. Journal of African Cultural Studies 24:2, pages 140-156.
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Articles from other publishers (6)
Njeri E Wainaina, Nancy Lombard & Priscilla Bretuo. (2023) Asserting queer agency online: A feminist inquiry into the experiences of queer women using instagram in Nairobi, Kenya. Sexualities.
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Margriet van der Waal. (2023) Dirty politics: The stories of soap in South Africa. Frontiers of Narrative Studies 8:2, pages 206-223.
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Priya Raghavan. (2022) ‘Oh, There Are Politics in Billie’s Work!’: Billie Zangewa and/at the Boundaries of Feminist Visual Activism. Journal of Cultural Analysis and Social Change 7:2, pages 19.
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Elliot James. 2022. Turning Archival. Turning Archival
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Gabeba Baderoon. (2014) The Ghost in the House: Women, Race, and Domesticity in South Africa. Cambridge Journal of Postcolonial Literary Inquiry 1:2, pages 173-188.
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Amanda Lock Swarr. (2012) Paradoxes of Butchness: Lesbian Masculinities and Sexual Violence in Contemporary South Africa. Signs: Journal of Women in Culture and Society 37:4, pages 961-986.
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