Citations (9)
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Read on this site (5)
Lindelwa Dalamba. (2019) The Blue Notes: South African jazz and the limits of avant-garde solidarities in late 1960s London. Safundi 20:2, pages 213-238.
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Quintina Carter-Ényì & Aaron Carter-Ényì. (2019) Decolonizing the Mind Through Song. Performance Research 24:1, pages 58-65.
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Yair Hashachar. (2018) Guinea Unbound: Performing Pan-African Cultural Citizenship between Algiers 1969 and the Guinean National Festivals. Interventions 20:7, pages 1003-1021.
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Yair Hashachar. (2017) Playing the backbeat in Conakry: Miriam Makeba and the cultural politics of Sékou Touré’s Guinea, 1968–1986. Social Dynamics 43:2, pages 259-273.
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Louise Bethlehem. (2017) “Miriam’s Place”: South African jazz, conviviality and exile. Social Dynamics 43:2, pages 243-258.
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Articles from other publishers (4)
Paul J. P. Fouché, Wilhelmien Labuscagne & Pravani Naidoo. 2023. Beyond WEIRD: Psychobiography in Times of Transcultural and Transdisciplinary Perspectives. Beyond WEIRD: Psychobiography in Times of Transcultural and Transdisciplinary Perspectives
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Mehita Iqani. (2022) Glitter, Shine, Glow. Cultural Politics 18:1, pages 79-94.
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Adelakun. (2019) Black Lives Matter! Nigerian Lives Matter!: Language and Why Black Performance Matters. Genealogy 3:2, pages 19.
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Louise Bethlehem. (2018) Restless Itineraries. Social Text 36:3, pages 47-69.
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