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Critical Studies on Terrorism Volume 9, 2016 - Issue 1: Critical Terrorism Studies: Reflections on Policy-Relevance and Disciplinarity
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Articles

Ask the audience: television, security and Homeland

Louise PearsSociology and Social Policy, University of Leeds, Leeds, UKCorrespondence[email protected]
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Pages 76-96 | Received 15 Oct 2015, Accepted 17 Dec 2015, Published online: 29 Apr 2016

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Natalie Jester$suffix/text()$suffix/text(). (2023) Making martial politics palatable: constructing neoliberal feminist subjects in arms manufacturers’ social media feeds. International Feminist Journal of Politics 25:2, pages 310-333.
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Yael Friedman & Maryam Ghorbankarimi. (2022) The politics of the political thrillers: de-othering Iran in Tehran (Kan, 2021-). Transnational Screens 13:3, pages 195-217.
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Joseph Downing, Sarah Gerwens & Richard Dron. (2022) Tweeting terrorism: Vernacular conceptions of Muslims and terror in the wake of the Manchester Bombing on Twitter. Critical Studies on Terrorism 15:2, pages 239-266.
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Rhys Crilley & Louise Pears. (2021) ‘No, we don’t know where Tupac is’: critical intelligence studies and the CIA on social media. Intelligence and National Security 36:4, pages 599-614.
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Ariane Bogain. (2020) Understanding public constructions of counter-terrorism: an analysis of online comments during the state of emergency in France (2015-2017). Critical Studies on Terrorism 13:4, pages 591-615.
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Rhys Crilley & Precious N. Chatterje-Doody. (2020) Emotions and war on YouTube: affective investments in RT’s visual narratives of the conflict in Syria. Cambridge Review of International Affairs 33:5, pages 713-733.
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Alice Martini. (2020) Rethinking terrorism and countering terrorism from a critical perspective.CTS and normativity. Critical Studies on Terrorism 13:1, pages 47-55.
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Kieran Ford. (2019) This violence good, that violence bad: normative and state-centric discourses in British school textbooks. Critical Studies on Terrorism 12:4, pages 693-714.
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Caitlin Hamilton. (2019) Exploring the potential of the popular culture and world politics agenda: actors, artefacts and the everyday. Australian Journal of Political Science 54:4, pages 573-584.
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Alister Miskimmon & Ben O’Loughlin. (2019) Narratives of the EU in Israel/Palestine: narrative “stickiness” and the formation of expectations. European Security 28:3, pages 268-283.
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Lee Jarvis. (2019) Terrorism, counter-terrorism, and critique: opportunities, examples, and implications. Critical Studies on Terrorism 12:2, pages 339-358.
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Raquel da Silva & Rhys Crilley. (2017) “Talk about terror in our back gardens”: an analysis of online comments about British foreign fighters in Syria. Critical Studies on Terrorism 10:1, pages 162-186.
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Katharine A. M. Wright & Annika Bergman Rosamond. (2021) NATO's strategic narratives: Angelina Jolie and the alliance's celebrity and visual turn. Review of International Studies 47:4, pages 443-466.
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Rhys Crilley. (2021) Where We At? New Directions for Research on Popular Culture and World Politics. International Studies Review 23:1, pages 164-180.
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Rhys Crilley, Marie Gillespie & Alistair Willis. (2019) Tweeting the Russian revolution: RT’s #1917LIVE and social media re-enactments as public diplomacy. European Journal of Cultural Studies 23:3, pages 354-373.
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Anne GanzertAnne Ganzert. 2020. Serial Pinboarding in Contemporary Television. Serial Pinboarding in Contemporary Television 17 77 .
Nicole Maruo-Schröder. (2018) “Justice Has a Bad Side”: Figurations of Law and Justice in 21st-Century Superhero Movies. European journal of American studies:13-4.
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