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Critical Interventions
Journal of African Art History and Visual Culture
Volume 10, 2016 - Issue 2: African Art and Economics
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Research

Masking and Money in a Nigerian Metropolis: The Economics of Performance in Calabar

Jordan A. FentonMiami University, OhioView further author information
Pages 172-192 | Published online: 26 Aug 2016

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Read on this site (1)

Amanda M. Maples. (2018) Urban Roots and Rural Routes: Migrating Masquerades of Freetown and Beyond. Critical Interventions 12:3, pages 275-293.
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Articles from other publishers (4)

Michael Ekpenyong Asuquo, Godian Patrick Okenjom, Ovat Egbe Okpa & Ameh Eyiene Eyiene. 2023. Digital Preservation and Documentation of Global Indigenous Knowledge Systems. Digital Preservation and Documentation of Global Indigenous Knowledge Systems 87 104 .
Rosalind I. J. Hackett. (2022) From Festive Sacred to Festive Secular? Indigenous Religious Presence in Two Nigerian Festivals. Numen 69:4, pages 341-389.
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Jordan A. Fenton. (2019) Expressive Currencies: Artistic Transactions and Transformations of Warrior-Inspired Masquerades in Calabar. African Arts 52:1, pages 18-33.
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Jordan A. Fenton. (2017) Sustainable Futures: Ekpenyong Bassey Nsa and the Study of Traditional-Based African Artists. African Arts 50:4, pages 34-45.
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