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Article

Representing popular music stardom on screen: the popular music biopic

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Pages 346-361 | Published online: 04 Oct 2012

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Read on this site (6)

Belén Vidal. (2023) The Barbara hypothesis: performance and spectatorship in the musical biopic. French Screen Studies 0:0, pages 1-20.
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Evan Smith. (2013) History and the Notion of Authenticity in Control and 24 Hour Party People. Contemporary British History 27:4, pages 466-489.
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Articles from other publishers (6)

D. Zhurkova. (2023) Soviet Pop Artists in Russian TV Series: Integration of Dramatic Models of Psycho- and Socio-Biography. Versus 2:5, pages 91-110.
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Milly Buonanno. (2023) Femmes fatales, saints, empowered women: Female biopics in Italian public television. Journal of Italian Cinema & Media Studies 11:2, pages 239-254.
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Nergiz GÜNDEL. (2023) İKİ KÜLTÜR ve İKİ EFSANE MÜZİSYEN: TÜR KURAMI ÇERÇEVESİNDE MÜSLÜM (2018) ve BOHEMIAN RHAPSODY (2018) ile BİYOGRAFİK FİLM ANALİZİTWO CULTURES and TWO LEGENDARY MUSICIANS: BIOGRAPHIC FILM ANALYSIS with MÜSLÜM (2018) and BOHEMIAN RHAPSODY (2018) within the FRAMEWORK of the GENRE THEORY. Pamukkale University Journal of Social Sciences Institute.
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Ewa Mazierska. (2021) Between Sweden and the world: Documentary films about ABBA’s international success. Journal of Scandinavian Cinema 11:3, pages 317-325.
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Ewa MazierskaEwa Mazierska. 2020. Polish Popular Music on Screen. Polish Popular Music on Screen 151 183 .
Ewa Mazierska & Kamila Rymajdo. 2017. Heading North. Heading North 235 255 .

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