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Studies in Eastern European Cinema Volume 9, 2018 - Issue 2
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Original Articles

Violated sex: rape, nation and representation of female characters in Yugoslav new film and black wave cinema

Vesi VukovićDepartment of Communication Studies, University of Antwerp, Antwerp, BelgiumCorrespondence[email protected]
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Pages 132-147 | Published online: 12 Feb 2018

Citations (4)

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Read on this site (1)

Vesi Vuković. (2022) Yugoslav(i)a on the margin: sexual taboos, representation, nation and emancipation in Želimir Žilnik’s Early Works (1969). Studies in Eastern European Cinema 13:3, pages 248-271.
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Articles from other publishers (3)

Patrycjusz Pająk. (2022) Violence and Sex and Violence Again: The Sexual Revolution in the Films of the Yugoslav Black Wave. Slavia Meridionalis 22.
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Mădălina Pojoga. (2022) Monalisas Without a Smile: Female Characters in Romanian Cinema between the ‘false feminism’ of the socialist era and the ‘antifeminism’ of the 1990s. Studies in World Cinema 2:1-2, pages 208-224.
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DANIJELA Š. BEARD. (2019) Soft Socialism, Hard Realism: Partisan Song, Parody, and Intertextual Listening in Yugoslav Black Wave Film (1968–1972). Twentieth-Century Music 16:1, pages 95-121.
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