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Studies in Eastern European Cinema Volume 11, 2020 - Issue 3
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Articles

Hard power and film distribution: transformation of distribution practices in Poland in the era of digital revolution

Marcin AdamczakInstitute of Cultural Studies, Faculty of Social Studies, Adam Mickiewicz University, Poznań, PolandCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0001-5540-6719View further author information
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Pages 243-261 | Published online: 26 Aug 2019

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Read on this site (3)

Bruno Lovric & Miriam Hernández. (2022) Bosnia and Herzegovina on Screen: Self-Orientalism in Jasmila Žbanić’s Film Quo Vadis, Aida?. Studies in Eastern European Cinema 0:0, pages 1-15.
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Jan Hanzlík. (2020) Limiting the unlimited: curation in Czech film distribution in the digital era. Studies in Eastern European Cinema 11:3, pages 262-278.
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Aleksandra Bartosiewicz & Agnieszka Orankiewicz. (2020) The impact of Hollywood majors on the local film industry. The case of Poland. Creative Industries Journal 13:3, pages 288-302.
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Articles from other publishers (1)

Agnieszka Orankiewicz & Aleksandra Bartosiewicz. (2023) The COVID-19 Pandemic and the Adoption Factors of Film Distribution Business Models in the Context of Sustainability. Sustainability 15:15, pages 11721.
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