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Sound Studies
An Interdisciplinary Journal
Volume 1, 2015 - Issue 1
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Articles

Sound studies without auditory culture: a critique of the ontological turn

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Read on this site (21)

Sarah Collins. (2023) Stone as Witness. Angelaki 28:4, pages 29-44.
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Iain Campbell & Peter Nelson. (2022) Rhythm and Signification. Angelaki 27:5, pages 56-78.
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Ivan Mouraviev. (2022) Sonic warfare: sound, affect, and the ecology of fear. Sound Studies 8:1, pages 119-122.
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Iain Campbell. (2021) Improvisation, Indeterminacy, and Ontology: Some Perspectives on Music and the Posthumanities. Contemporary Music Review 40:4, pages 409-424.
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Vadim Keylin. (2021) Sound acts: towards a sonic pragmatism. Sound Studies 7:1, pages 83-99.
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Heather Wiebe. (2021) Morale as sonic force: Listen to Britain and total war. Sound Studies 7:1, pages 24-41.
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Iain Campbell. (2020) Sound’s Matter: ‘Deleuzian Sound Studies’ and the Problems of Sonic Materialism. Contemporary Music Review 39:5, pages 618-637.
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Matthew Sergeant, Isabella van Elferen & Samuel Wilson. (2020) INTRODUCTIONMusical Materialisms (Plural). Contemporary Music Review 39:5, pages 517-525.
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Jannis Van de Sande. (2020) Lyrics not Available. Listening to Voice in Peter Ablinger’s ‘The Real as Imaginary’. Contemporary Music Review 39:3, pages 310-321.
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Douglas Kahn. (2020) On vibrations: cosmographs. Sound Studies 6:1, pages 14-28.
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Luis-Manuel Garcia. (2020) Feeling the vibe: sound, vibration, and affective attunement in electronic dance music scenes. Ethnomusicology Forum 29:1, pages 21-39.
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Rachel Presley & Jason Crane. (2018) Sonic colonizations, sound coalitions: analyzing the aural landscape of Standing Rock’s No-DAPL movement. Argumentation and Advocacy 54:4, pages 305-322.
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Iain Campbell. (2017) John Cage, Gilles Deleuze, and the Idea of Sound. Parallax 23:3, pages 361-378.
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Marie Thompson. (2017) Whiteness and the Ontological Turn in Sound Studies. Parallax 23:3, pages 266-282.
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James Lavender. (2017) Introduction: Sounding / Thinking. Parallax 23:3, pages 245-251.
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Tyler Whitney. (2017) Inside the Ear: Silence, Self-Observation, and Embodied Spaces in Kafka's “Der Bau”. The Germanic Review: Literature, Culture, Theory 92:3, pages 301-319.
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Iain Campbell. (2016) Irreducible listening: sound unseen and unspoken. Sound Studies 2:2, pages 194-198.
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Articles from other publishers (68)

Melissa Freeman. 2024. Gadamer, Music, and Philosophical Hermeneutics. Gadamer, Music, and Philosophical Hermeneutics 241 256 .
Christoph Haffter. 2023. Musikalischer Materialismus. Musikalischer Materialismus.
Ulrik SchmidtUlrik Schmidt. 2023. A Philosophy of Ambient Sound. A Philosophy of Ambient Sound 1 34 .
KARIN BIJSTERVELD. (2022) Histories of Hearing. Journal of the Royal Musical Association 147:1, pages 297-304.
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Karolina Doughty & Danielle Drozdzewski. (2022) Sonic methods, sonic affects. Emotion, Space and Society 42, pages 100867.
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Eldritch Priest. 2022. Earworm and Event. Earworm and Event ev79 ev85 .
Eldritch Priest. 2022. Earworm and Event. Earworm and Event ev65 ev77 .
Eldritch Priest. 2022. Earworm and Event. Earworm and Event ev44 ev63 .
Eldritch Priest. 2022. Earworm and Event. Earworm and Event ev39 ev43 .
Eldritch Priest. 2022. Earworm and Event. Earworm and Event ev29 ev38 .
Eldritch Priest. 2022. Earworm and Event. Earworm and Event ev23 ev28 .
Eldritch Priest. 2022. Earworm and Event. Earworm and Event ev8 ev22 .
Eldritch Priest. 2022. Earworm and Event. Earworm and Event ev1 ev7 .
Jonathan Sterne. 2021. Diminished Faculties. Diminished Faculties 209 215 .
Jonathan Sterne. 2021. Diminished Faculties. Diminished Faculties 193 205 .
Jonathan Sterne. 2021. Diminished Faculties. Diminished Faculties 249 279 .
Jonathan Sterne. 2021. Diminished Faculties. Diminished Faculties 217 248 .
Jonathan Sterne. 2021. Diminished Faculties. Diminished Faculties 157 191 .
Jonathan Sterne. 2021. Diminished Faculties. Diminished Faculties 117 156 .
Jonathan Sterne. 2021. Diminished Faculties. Diminished Faculties 69 115 .
Jonathan Sterne. 2021. Diminished Faculties. Diminished Faculties 41 67 .
Jonathan Sterne. 2021. Diminished Faculties. Diminished Faculties 1 40 .
LUIS VELASCO-PUFLEAU. (2021) Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound. Journal of the Royal Musical Association 146:2, pages 501-508.
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David Howes. (2021) Afterword. The Cambridge Journal of Anthropology 39:2, pages 128-137.
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Jessica Gabriel Peritz. (2021) The Female Sublime: Domesticating Luigia Todi’s Voice. Journal of the American Musicological Society 74:2, pages 235-288.
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Sam Mackay. (2021) Polite Applause: The sonic politics of ‘Clap for Carers’. Organised Sound 26:2, pages 211-218.
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EDMUND MENDELSSOHN. (2021) Ontological Appropriation: Boulez and Artaud. Twentieth-Century Music 18:2, pages 281-310.
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Xavier Guillaume & Kyle Grayson. (2021) Sound Matters: How Sonic Formations Shape the Nuclear Deterrence and Non-Proliferation Regimes. International Political Sociology 15:2, pages 153-171.
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Luis Velasco-Pufleau. 2021. Crime and Music. Crime and Music 233 243 .
Ken Fields. (2020) On Phonosophy. Organised Sound 25:3, pages 274-281.
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SAMUEL WILSON. (2020) Strategies of Conquest and Defence: Encounters with the Object in Twentieth-Century Music. Journal of the Royal Musical Association 145:2, pages 457-484.
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Doug Van Nort. (2020) Sound, Senses, Musical Meaning, and Digital Performance: Epistemological Reframings. Canadian Theatre Review 184, pages 57-61.
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Matt Brounley. 2020. The Handbook of Listening. The Handbook of Listening 253 262 .
. 2020. Sound and Literature. Sound and Literature.
Jon M. Wargo. (2019) Be(com)ing “In-Resonance-With” Research: Improvising a Postintentional Phenomenology Through Sound and Sonic Composition. Qualitative Inquiry 26:5, pages 440-446.
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Lina Džuverović. (2020) Is The Honeymoon Over? The Tumultuous Love Affair Between the Museum and the Arts of Sound. Circuit 30:1, pages 11-24.
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Ben De BruynBen De Bruyn. 2020. The Novel and the Multispecies Soundscape. The Novel and the Multispecies Soundscape 1 46 .
Mack Hagood. 2019. Hush. Hush 245 260 .
Mack Hagood. 2019. Hush. Hush 235 244 .
Mack Hagood. 2019. Hush. Hush 220 234 .
Mack Hagood. 2019. Hush. Hush 198 219 .
Mack Hagood. 2019. Hush. Hush 177 197 .
Mack Hagood. 2019. Hush. Hush 148 173 .
Mack Hagood. 2019. Hush. Hush 116 147 .
Mack Hagood. 2019. Hush. Hush 75 115 .
Mack Hagood. 2019. Hush. Hush 31 72 .
Mack Hagood. 2019. Hush. Hush 1 28 .
James A. Steintrager & Rey Chow. 2019. Sound Objects. Sound Objects 1 19 .
. 2019. Sound Objects. Sound Objects 265 280 .
David Toop. 2019. Sound Objects. Sound Objects 246 264 .
Michael Bull. 2019. Sound Objects. Sound Objects 228 245 .
John Mowitt. 2019. Sound Objects. Sound Objects 211 227 .
Georgina Born. 2019. Sound Objects. Sound Objects 185 207 .
Jairo Moreno & Gavin Steingo. 2019. Sound Objects. Sound Objects 167 184 .
Veit Erlmann. 2019. Sound Objects. Sound Objects 151 166 .
Pooja Rangan. 2019. Sound Objects. Sound Objects 130 148 .
Rey Chow. 2019. Sound Objects. Sound Objects 113 129 .
Jonathan Sterne. 2019. Sound Objects. Sound Objects 94 109 .
James A. Steintrager. 2019. Sound Objects. Sound Objects 73 93 .
Brian Kane. 2019. Sound Objects. Sound Objects 53 70 .
John Dack. 2019. Sound Objects. Sound Objects 33 52 .
Michel Chion. 2019. Sound Objects. Sound Objects 23 32 .
Gavin Steingo & Jim Sykes. 2019. Remapping Sound Studies. Remapping Sound Studies 1 36 .
Karin BijsterveldKarin Bijsterveld. 2019. Sonic Skills. Sonic Skills 1 28 .
Iain Campbell. (2018) Joe Panzner (2015) The Process That Is the World: Cage/Deleuze/Events/Performances . Deleuze and Guattari Studies 12:3, pages 444-453.
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Jens Gerrit Papenburg. 2018. Handbuch Sound. Handbuch Sound 25 31 .
Marie Thompson. (2017) To soothe or remove? Affect, revanchism and the weaponized use of classical music. Communication and the Public 2:4, pages 272-283.
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JENS GERRIT PAPENBURG. (2017) Wolfgang Ernst , Im Medium erklingt die Zeit: Technologische Tempor(e)alitäten und das Sonische als ihre privilegierte Erkenntnisform, Kaleidogramme Vol. 130 (Berlin: Kulturverlag Kadmos, 2015), ISBN: 978-3-86599-274-1 (pb). - Wolfgang Ernst , Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity (Amsterdam: Amsterdam University Press, 2016), ISBN: 978-08964-949-2 (hb).. Twentieth-Century Music 14:1, pages 169-175.
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