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Sound Studies
An Interdisciplinary Journal
Volume 1, 2015 - Issue 1
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Articles

Beats, flesh, and grain: sonic tactility and affect in electronic dance music

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Read on this site (10)

Maria-Adriana Deiana. (2023) Dance as a register of war: following unruly bodies, affects, and sounds in conflict. Critical Military Studies 9:3, pages 462-484.
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Ty Hollett, XinYun Peng & Susan Land. (2022) Learning with and beyond the body: The production of mobile architectures in a ballet variations class. Journal of the Learning Sciences 31:1, pages 43-72.
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Peter McMurray. (2020) What is it like to be a crane? Notes on Alevi semah and the Sivas massacre. Culture, Theory and Critique 61:2-3, pages 151-168.
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Anaar Desai-Stephens & Nicole Reisnour. (2020) Musical feelings and affective politics. Culture, Theory and Critique 61:2-3, pages 99-111.
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Denise Gill. (2020) On theory, citational practices and personal accountability in the study of music and affect. Culture, Theory and Critique 61:2-3, pages 338-357.
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Anaar Desai-Stephens. (2020) ‘You have to feel to sing!’: popular music classes and the transmission of ‘feel’ in contemporary India. Culture, Theory and Critique 61:2-3, pages 187-207.
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Ana Hofman. (2020) The romance with affect: sonic politics in a time of political exhaustion. Culture, Theory and Critique 61:2-3, pages 303-318.
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Katie J. Graber & Matthew Sumera. (2020) Interpretation, resonance, embodiment: affect theory and ethnomusicology. Ethnomusicology Forum 29:1, pages 3-20.
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Luis-Manuel Garcia. (2020) Feeling the vibe: sound, vibration, and affective attunement in electronic dance music scenes. Ethnomusicology Forum 29:1, pages 21-39.
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Articles from other publishers (23)

Matteo Sacchetto, Maria Sangüesa, Piera Bagnus, Chiara Nicora & Cristina Rottondi. (2023) Collection of Design Directions for the Realization of a Visual Interface with Haptic Feedback to Convey the Notion of Sonic Grain to DHH Students. Collection of Design Directions for the Realization of a Visual Interface with Haptic Feedback to Convey the Notion of Sonic Grain to DHH Students.
Luis Manuel Garcia-Mispireta. 2023. Together, Somehow. Together, Somehow 267 290 .
Luis Manuel Garcia-Mispireta. 2023. Together, Somehow. Together, Somehow 235 266 .
Luis Manuel Garcia-Mispireta. 2023. Together, Somehow. Together, Somehow 216 233 .
Luis Manuel Garcia-Mispireta. 2023. Together, Somehow. Together, Somehow 183 215 .
Luis Manuel Garcia-Mispireta. 2023. Together, Somehow. Together, Somehow 151 182 .
Luis Manuel Garcia-Mispireta. 2023. Together, Somehow. Together, Somehow 124 150 .
Luis Manuel Garcia-Mispireta. 2023. Together, Somehow. Together, Somehow 91 123 .
Luis Manuel Garcia-Mispireta. 2023. Together, Somehow. Together, Somehow 65 90 .
Luis Manuel Garcia-Mispireta. 2023. Together, Somehow. Together, Somehow 37 64 .
Luis Manuel Garcia-Mispireta. 2023. Together, Somehow. Together, Somehow 1 35 .
Dave Wilson. (2022) Sonic Space-Making on the Margins of Power: Electronic Music, Agency, and Alternative Belonging in the Republic of Macedonia (2011–2014). Ethnomusicology 66:3, pages 379-409.
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Johan Andersson. (2022) Berghain: Space, affect, and sexual disorientation. Environment and Planning D: Society and Space 40:3, pages 451-468.
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Amy Skjerseth. (2021) Grains of Sound: Visual and Sonic Textures in Sand or Peter and the Wolf . Animation 16:3, pages 110-125.
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Andrew Borecky. (2021) Dungeons, Dragons, and Music. Journal of Sound and Music in Games 2:1, pages 46-64.
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Ann Werner, Tami Gadir & Sam De Boise. (2021) Broadening research in gender and music practice. Popular Music 39:3-4, pages 636-651.
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Jonathan G. Schaller. (2020) A home on the floor: The musical expression of a DJ in a queer place. Journal of Popular Music Education 4:3, pages 329-347.
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. 2020. Sound and Literature. Sound and Literature.
Giovanni Formilan & David Stark. (2020) Underground testing: Name‐altering practices as probes in electronic music. The British Journal of Sociology 71:3, pages 572-589.
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Maree Martinussen & Margaret Wetherell. (2019) Affect, practice and contingency: critical discursive psychology and Eve Kosofsky Sedgwick. Subjectivity 12:2, pages 101-116.
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Shayna Silverstein. 2019. Remapping Sound Studies. Remapping Sound Studies 241 259 .
Tami Gadir. (2018) Understanding Agency from the Decks to the Dance Floor. Music Theory Online 24:3.
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David Verbuč. (2018) Theory and Ethnography of Affective Participation at DIY Shows in U.S.. Journal of Popular Music Studies 30:1-2, pages 79-108.
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