Citations (10)
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Read on this site (4)
Iain Campbell. (2021) Improvisation, Indeterminacy, and Ontology: Some Perspectives on Music and the Posthumanities. Contemporary Music Review 40:4, pages 409-424.
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Tomy Brautschek & Maximilian Haberer. (2018) Echoes of Pink Floyd: experiencing intimacy through acoustic immersion. Sound Studies 4:2, pages 234-237.
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Dahlia Borsche. (2017) Maximal vastness and minimal aesthetics. How Kurt Hentschläger challenges our sense of perception in his immersive installation SOL. Sound Studies 3:1, pages 93-96.
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Adam Potts. (2017) Writing sound and radical fiction: the abyssal space of writing, reading and listening. New Writing 14:1, pages 117-126.
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Articles from other publishers (6)
Artur Szarecki. (2023) Reassembling digital intimacy. Journal of Popular Music Studies 35:2, pages 88-112.
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Christopher Haworth. (2023) Post-punk, Industrial Culture Zines, and the Information Dark Age. Theory, Culture & Society, pages 026327642211511.
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Jiří Zelenka. (2021) Hearing and Listening in the Context of Passivity and Activity. Open Philosophy 4:1, pages 190-197.
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Joseph Browning. (2021)
Sound and More-than-Human Sociality in Catherine Clover’s
Oh! Ah ah pree trra trra
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Crossref
Karin BijsterveldKarin Bijsterveld. 2019. Sonic Skills. Sonic Skills
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Will Schrimshaw. (2018) The Tone of Prime Unity. Organised Sound 23:2, pages 208-217.
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