Mapping street sounds in the nineteenth-century city: a listener’s guide to social engineeringFootnote^*
* A former version of this article was presented as a keynote paper at the conference titled 'Mapping the Musical City', Institute of Musical Research, London, 2-3 February 2019. I would like to thank Jonathan Hicks, George Revill, and Lola San Martín Arbide for their comments and suggestions.

Samuel LlanoSchool of Arts, Languages and Cultures, University of Manchester, Manchester, UKCorrespondence[email protected]

http://orcid.org/0000-0001-5915-597X

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Milena Droumeva. (2021) The sound of the future: listening as data and the politics of soundscape assessment. Sound Studies 7:2, pages 225-241.
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Samuel Llano & Tom Whittaker. (2019) Spanish sound studies. Journal of Spanish Cultural Studies 20:3, pages 199-208.
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Ian Biddle. (2019) Madrid’s great sonic transformation: sound, noise and the auditory commons of the city in the nineteenth century. Journal of Spanish Cultural Studies 20:3, pages 227-240.
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Samuel Llano. (2019) Noising forth social change: the Orfeón Socialista de Madrid, 1900–1936. Journal of Spanish Cultural Studies 20:3, pages 257-270.
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Rebecca Haidt. (2019) Singing and street cries from eighteenth-century naranjera to twentieth-century violetera: aural paradigms of gender, poverty and affect. Journal of Spanish Cultural Studies 20:3, pages 209-225.
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Jarrett Rudy, Magda Fahrni & Nicolas Kenny. (2022) Railways and the Urban Soundscape: Montreal, 1850s–1950s. Urban History Review 49:2, pages 217-240.
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