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World Art Volume 3, 2013 - Issue 1: Art Makes Society
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Research article

Gesture and performance in Comanche rock art

Severin Fowles Department of Anthropology, Barnard College, Columbia University, New York, USACorrespondence[email protected]
&
Jimmy Arterberry Comanche Nation Tribal Historic Preservation Office, Lawton, USA
Pages 67-82 | Received 16 Oct 2012, Accepted 04 Feb 2013, Published online: 21 Jun 2013

Citations (16)

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Read on this site (4)

David M. Witelson. (2022) Performance theory: a growing interest in rock art research. Time and Mind 15:3-4, pages 313-341.
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Hamza R’boul. (2022) Communicating creativities: interculturality, postcoloniality and power relations. Third World Quarterly 43:6, pages 1478-1494.
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Max Carocci. (2017) Facing new flows: subjectivity and the colonial encounter in Plains Indian art. World Art 7:1, pages 65-105.
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Elizabeth DeMarrais & John Robb. (2013) Art makes society: an introductory visual essay. World Art 3:1, pages 3-22.
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Articles from other publishers (12)

Sue O’Connor, Jane Balme, Mona Oscar, June Oscar, Selina Middleton, Rory Williams, Jimmy Shandley, Robin Dann, Kevin Dann, Ursula K. Frederick & Melissa Marshall. 2022. Rock Art and Memory in the Transmission of Cultural Knowledge. Rock Art and Memory in the Transmission of Cultural Knowledge 147 170 .
Joana Valdez-Tullett. 2022. Rock Art and Memory in the Transmission of Cultural Knowledge. Rock Art and Memory in the Transmission of Cultural Knowledge 101 123 .
Leslie F. Zubieta. 2022. Rock Art and Memory in the Transmission of Cultural Knowledge. Rock Art and Memory in the Transmission of Cultural Knowledge 1 21 .
Joana Valdez-Tullett. (2021) An integrated methodology for the study of Atlantic Rock Art. Quaternary International 572, pages 139-150.
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Oscar Moro Abadía & Manuel R. González Morales. (2020) Art in the Making: Recent Developments in the Study of Pleistocene and Holocene Images. Journal of Archaeological Method and Theory 27:3, pages 439-453.
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John Robb. (2020) Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe. Journal of Archaeological Method and Theory 27:3, pages 454-480.
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Adam Brumm, Michelle C. Langley, Budianto Hakim, Yinika Perston, Suryatman, Adhi Agus Oktaviana, Basran Burhan & Mark W. Moore. (2020) Scratching the Surface: Engraved Cortex as Portable Art in Pleistocene Sulawesi. Journal of Archaeological Method and Theory 27:3, pages 670-698.
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Lindsay M Montgomery. (2019) Nomadic economics: The logic and logistics of Comanche imperialism in New Mexico. Journal of Social Archaeology 19:3, pages 333-355.
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Terence N. D’Altroy. (2018) Empires reconsidered: current archaeological approaches. Asian Archaeology 1:1-2, pages 95-109.
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Andrew Meirion Jones. (2017) Rock Art and Ontology. Annual Review of Anthropology 46:1, pages 167-181.
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Peter Mitchell. (2016) Going Back to Their Roots: Comanche Trade and Diet Revisited. Ethnohistory 63:2, pages 237-271.
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Jun Ueno Sunseri. (2016) A Horse-Travel Approach to Landscape Archaeology. Historical Archaeology 49:2, pages 72-91.
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