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Research Article

Profiled hands in Palaeolithic art: the first universally recognized symbol of the human form

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C. Oliver O’Donnell. (2018) Revisiting David Summers’ Real Spaces: a neo-pragmatist interpretation. World Art 8:1, pages 21-38.
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Roxanne Tsang, Sebastien Katuk, Sally K. May, Paul S.C. Taçon, François‐Xavier Ricaut & Matthew G. Leavesley. (2023) Hand stencils and communal history: A case study from Auwim, East Sepik, Papua New Guinea. Archaeology in Oceania 58:1, pages 115-130.
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Jiajin Zhang, Guoying Peng, Hongyu Yang, Chao Tan, Yaqing Tan & Hui Bai. (2023) Real-Time Finger-Writing Character Recognition via ToF Sensors on Edge Deep Learning. Electronics 12:3, pages 685.
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Sally K. May & Joakim Goldhahn. 2020. Encyclopedia of Global Archaeology. Encyclopedia of Global Archaeology 1 13 .
Francisco Martínez-Sevilla, Meritxell Arqués, Xavier Jordana, Assumpció Malgosa, José Antonio Lozano Rodríguez, Margarita Sánchez Romero, Kate Sharpe & Javier Carrasco Rus. (2020) Who painted that? The authorship of Schematic rock art at the Los Machos rockshelter in southern Iberia. Antiquity 94:377, pages 1133-1151.
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Oscar Moro Abadía & Manuel R. González Morales. (2020) Art in the Making: Recent Developments in the Study of Pleistocene and Holocene Images. Journal of Archaeological Method and Theory 27:3, pages 439-453.
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Gaddi Blumrosen, Katsuyuki Sakuma, John Jeremy Rice & John Knickerbocker. (2020) Back to Finger-Writing: Fingertip Writing Technology Based on Pressure Sensing. IEEE Access 8, pages 35455-35468.
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