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Journal of the Royal Musical Association Volume 116, 1991 - Issue 1
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Articles

Repetition and Variation in the Thirteenth-Century Refrain

Ardis Butterfield Downing College, Cambridge
Pages 1-23 | Published online: 28 Jan 2009

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LISA COLTON. (2008) The Articulation of Virginity in the Medieval Chanson de nonne . Journal of the Royal Musical Association 133:2, pages 159-188.
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Articles from other publishers (8)

K. Meira Goldberg. (2023) Singing of and with the Other: Flamenco and the politics of pastoralism in medieval Iberia. postmedieval 14:2-3, pages 393-418.
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Oskar Cox Jensen. 2021. The Ballad-Singer in Georgian and Victorian London. The Ballad-Singer in Georgian and Victorian London.
Catherine A. Bradley. 2018. Polyphony in Medieval Paris. Polyphony in Medieval Paris.
Eleanor Johnson. (2016) Reddere and Refrain: A Meditation on Poetic Procedure in Piers Plowman . The Yearbook of Langland Studies 30, pages 3-27.
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Frieda van der Heijden. (2015) A Manuscript (Un)finished. Pecia 18, pages 13-38.
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Gaël Saint-Cricq. (2013) A NEW LINK BETWEEN THE MOTET AND TROUVÈRE CHANSON: THE PEDES-CUM-CAUDA MOTET . Early Music History 32, pages 179-223.
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Catherine A. Bradley. (2013) CONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT. Early Music History 32, pages 1-70.
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John Stevens. (2008) Alphabetical check-list of Anglo-Norman songs c. 1150—c. 1350. Plainsong and Medieval Music 3:1, pages 1-22.
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