Citations: The Retransition as Sign: Listener-Orientated Approaches to Tonal Closure in Haydn's Sonata-Form Movements

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Lindsay A. Warrenburg & David Huron. (2019) Tests of contrasting expressive content between first and second musical themes. Journal of New Music Research 48:1, pages 21-35.
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Chen-Gia Tsai & Chung-Ping Chen. (2015) Musical Tension over Time: Listeners’ Physiological Responses to the ‘Retransition’ in Classical Sonata Form. Journal of New Music Research 44:3, pages 271-286.
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Stephen Decatur Smith. (2012) Awakening Dead Time: Adorno on Husserl, Benjamin, and the Temporality of Music. Contemporary Music Review 31:5-6, pages 389-409.
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The Retransition as Sign: Listener-Orientated Approaches to Tonal Closure in Haydn's Sonata-Form Movements

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The Retransition as Sign: Listener-Orientated Approaches to Tonal Closure in Haydn's Sonata-Form Movements

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