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Journal of the Royal Musical Association Volume 121, 1996 - Issue 2
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Original Articles

Scriabin's Octatonic Sonata

Cheong Wai-Ling Chinese University of Hong Kong
Pages 206-228 | Published online: 05 Jan 2010

Citations (5)

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Read on this site (1)

Simon Perry. (2003) Agonising over orthography: Aspects of notation from Tristan to opus 11, number 1. Musicology Australia 26:1, pages 1-37.
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Articles from other publishers (4)

JEFFREY SCOTT YUNEK. (2017) (Post‐)Tonal Key Relationships in Scriabin's Late Music. Music Analysis 36:3, pages 384-418.
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YI‐CHENG DANIEL WU. (2017) Scriabin's Prelude Op. 67 No. 1: Pitch Orthography, Musical Climax and Form. Music Analysis 36:3, pages 419-450.
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Vasilis Kallis. (2015) Pitch Organisation in S criabin's T enth S onata . Music Analysis 34:1, pages 3-46.
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KENNETH M. SMITH. (2011) Skryabin's Revolving Harmonies, Lacanian Desire, and Riemannian Funktionstheorie . Twentieth-Century Music 7:2, pages 167-194.
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