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Original Articles

Improvisation as ‘Other’: Creativity, Knowledge and Power – The Case of Iranian Classical Music

Pages 242-296 | Published online: 29 Jan 2009

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (2)

Andrew Goldman. (2019) Live coding helps to distinguish between embodied and propositional improvisation. Journal of New Music Research 48:3, pages 281-293.
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Articles from other publishers (36)

Michèle Duguay. (2023) Analytical Essays on Music by Women Composers: Concert Music, 1900–1960. Edited by Laurel Parsons and Brenda Ravenscroft. Music Theory Spectrum 45:2, pages 362-368.
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Tamar Hadar & Tal-Chen Rabinowitch. (2023) The varying social dynamics in orally transmitted and notated vs. improvised musical performance. Frontiers in Psychology 14.
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Seema Golestaneh. 2023. Unknowing and the Everyday. Unknowing and the Everyday 211 224 .
Seema Golestaneh. 2023. Unknowing and the Everyday. Unknowing and the Everyday 193 210 .
Seema Golestaneh. 2023. Unknowing and the Everyday. Unknowing and the Everyday 189 192 .
Seema Golestaneh. 2023. Unknowing and the Everyday. Unknowing and the Everyday 165 188 .
Seema Golestaneh. 2023. Unknowing and the Everyday. Unknowing and the Everyday 135 164 .
Seema Golestaneh. 2023. Unknowing and the Everyday. Unknowing and the Everyday 96 134 .
Seema Golestaneh. 2023. Unknowing and the Everyday. Unknowing and the Everyday 59 95 .
Seema Golestaneh. 2023. Unknowing and the Everyday. Unknowing and the Everyday 29 58 .
Seema Golestaneh. 2023. Unknowing and the Everyday. Unknowing and the Everyday 1 28 .
Kristina Kolbe. (2021) Producing (Musical) Difference: Power, Practices and Inequalities in Diversity Initiatives in Germany’s Classical Music Sector. Cultural Sociology 16:2, pages 231-249.
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Banu Şenay. (2022) The pleasures of ambiguity: pedagogy and musical apprenticeship in an Istanbul art studio. Journal of the Royal Anthropological Institute 28:2, pages 632-650.
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None Sharanya. (2022) Last Rites: Self-Representation and Counter-Canon Practices in Classical Music through Radhe Radhe. Open Library of Humanities 8:1.
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Ritwik Banerji. (2021) Whiteness as Improvisation, Nonwhiteness as Machine. Jazz and Culture 4:2, pages 56-84.
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Kristina Kolbe. (2021) Playing the system: ‘Race’-making and elitism in diversity projects in Germany's classical music sector. Poetics 87, pages 101532.
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Mohammad-Sadegh Seifpanahi, Behnaz Bayat, Somayeh Ghorbani Gholiabad & Mohammad Rezayi. (2021) Self-rated vocal complaints relationship to Vocal Tract Discomfort and Singers Voice Handicap Index in Iranian religious singers. European Archives of Oto-Rhino-Laryngology 278:7, pages 2411-2419.
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ANDY HAMILTON. (2020) The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes. The Journal of Aesthetics and Art Criticism 78:3, pages 289-302.
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Moshe Morad. 2020. Playing for Keeps. Playing for Keeps 250 274 .
Andrew Goldman, Tyreek Jackson & Paul Sajda. (2018) Improvisation experience predicts how musicians categorize musical structures. Psychology of Music 48:1, pages 18-34.
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Hamide Ghaemi, Ali Dehqan, Behrooz Mahmoodi-Bakhtiari & Davood Sobhani-rad. (2020) The Singing Voice Handicap Index (SVHI): Validation and Adaptation Into Persian. Journal of Voice 34:1, pages 158.e17-158.e23.
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Leon R. de Bruin. (2019) The use of cognitive apprenticeship in the learning and teaching of improvisation: Teacher and student perspectives. Research Studies in Music Education 41:3, pages 261-279.
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Nasim Niknafs. 2018. Pluralism in American Music Education Research. Pluralism in American Music Education Research 123 143 .
Eunshik Choi & 신혜경. (2017) An Investigation in Trends of Music Creativity Research Focusing on Research Methods and Areas. Journal of Research in Curriculum Instruction 21:4, pages 459-469.
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. 2017. Improvisation and Social Aesthetics. Improvisation and Social Aesthetics 309 333 .
Andrew J. Goldman. (2016) Improvisation as a Way of Knowing. Music Theory Online 22:4.
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Floris Schuiling. (2016) The Instant Composers Pool: Music Notation and the Mediation of Improvising Agency. Cadernos de arte e antropologia:Vol. 5, No 1, pages 39-58.
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. 2016. Negotiated Moments. Negotiated Moments 329 349 .
Carine Lewis, Peter Lovatt & Elizabeth Kirk. (2015) Many hands make light work: The facilitative role of gesture in verbal improvisation. Thinking Skills and Creativity 17, pages 149-157.
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Raymond AR MacDonald & Graeme B Wilson. (2014) Musical improvisation and health: a review. Psychology of Well-Being 4:1.
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Carine Lewis & Peter J. Lovatt. (2013) Breaking away from set patterns of thinking: Improvisation and divergent thinking. Thinking Skills and Creativity 9, pages 46-58.
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Paul Steinbeck. (2013) Improvisational Fictions. Music Theory Online 19:2.
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August Sheehy. (2013) Improvisation, Analysis, and Listening Otherwise. Music Theory Online 19:2.
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Laudan Nooshin. (2013) Beyond the Radif : New Forms of Improvisational Practice in Iranian Music . Music Theory Online 19:2.
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Bruno Nettl. (2013) Contemplating the Concept of Improvisation and Its History in Scholarship. Music Theory Online 19:2.
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EVAN RAPPORT. (2008) Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity. Journal of the Society for American Music 2:4, pages 507-530.
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