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Journal of the Royal Musical Association Volume 130, 2005 - Issue 1
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Original Articles

Relating Musical Structure and Content to Aesthetic Response: A Model and Analysis of Beethoven’s Piano Sonata Op. 110

Adam Ockelford Senior Research Fellow at the Centre for International Research in Music Education at the University of Surrey, Roehampton E-mail: [email protected]
Pages 74-118 | Published online: 29 Jan 2009

Citations (7)

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Read on this site (2)

Ivan Kenny. (2018) Heterotopic Enclosures: Mexican National Spaces in Luis Buñuel’s El ángel exterminador and Juan Rulfo’s Pedro Páramo. Hispanic Research Journal 19:1, pages 72-88.
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AnnukkaK. Lindell & Julia Mueller. (2011) Can science account for taste? Psychological insights into art appreciation. Journal of Cognitive Psychology 23:4, pages 453-475.
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Articles from other publishers (5)

Steven Jan. (2015) A memetic analysis of a phrase by Beethoven: Calvinian perspectives on similarity and lexicon-abstraction. Psychology of Music 44:3, pages 443-465.
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Adam Ockelford. (2008) Review article: D. HURON, Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, MA: The MIT Press (A Bradford Book), 2006. 476 pp, 108 illus. ISBN 0—262—08345—0 (hbk) $40/£25.95. Psychology of Music 36:3, pages 367-382.
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Adam Ockelford. (2007) A Music Module in Working Memory? Evidence from the Performance of a Prodigious Musical Savant. Musicae Scientiae 11:2_suppl, pages 5-36.
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Adam Ockelford. (2016) Exploring musical interaction between a teacher and pupil, and her evolving musicality, using a music-theoretical approach. Research Studies in Music Education 28:1, pages 51-70.
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Adam Ockelford. (2016) Implication and expectation in music: a zygonic model. Psychology of Music 34:1, pages 81-142.
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