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Geographical Review Volume 103, 2013 - Issue 2
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Original Articles

Staging Testimony in Nanay

Geraldine PrattView further author information
&
Caleb JohnstonView further author information
Pages 288-303 | Received 17 Apr 2013, Published online: 04 Nov 2019

Citations (21)

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Read on this site (8)

Charlotte Veal. (2020) Thinking Intimate Geopolitics Creatively: Choreographing Spaces of Performance, Testimony, and Law. GeoHumanities 6:1, pages 65-88.
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Angharad Closs Stephens. (2019) Feeling “Brexit”: Nationalism and the Affective Politics of Movement. GeoHumanities 5:2, pages 405-423.
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Hilary Powell, Hazel Morrison & Felicity Callard. (2018) Wandering Minds: Tracing Inner Worlds Through a Historical-Geographical Art Installation. GeoHumanities 4:1, pages 132-156.
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Sarah de Leeuw & Harriet Hawkins. (2017) Critical geographies and geography’s creative re/turn: poetics and practices for new disciplinary spaces. Gender, Place & Culture 24:3, pages 303-324.
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Ruth Raynor. (2017) (De)composing Habit in Theatre-as-Method. GeoHumanities 3:1, pages 108-121.
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Paulina Nordström. (2016) The creative landscape of theatre–research cooperation: a case from turku, finland. Geografiska Annaler: Series B, Human Geography 98:1, pages 1-17.
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James A. Tyner, Sokvisal Kimsroy & Savina Sirik. (2015) Nature, Poetry, and Public Pedagogy: The Poetic Geographies of the Khmer Rouge. Annals of the Association of American Geographers 105:6, pages 1285-1299.
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Michael J. Richardson. (2015) Theatre as safe space? Performing intergenerational narratives with men of Irish descent. Social & Cultural Geography 16:6, pages 615-633.
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Articles from other publishers (13)

Caroline Keegan. (2021) A minor theory of direct action politics and performance in New Orleans’ economic justice movement. Environment and Planning D: Society and Space 40:1, pages 158-174.
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Nathan Eisenstadt & Josie McLellan. (2020) Foregrounding co-production: Building research relationships in university–community collaborative research. Research for All 4:2.
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Harriet Hawkins. (2018) Geography’s creative (re)turn: Toward a critical framework. Progress in Human Geography 43:6, pages 963-984.
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Ruth Raynor. (2018) Speaking, feeling, mattering: Theatre as method and model for practice-based, collaborative, research. Progress in Human Geography 43:4, pages 691-710.
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Michelle Buckley. (2018) Labour and the city: Some notes across theory and research. Geography Compass 12:10, pages e12400.
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Amanda Rogers. (2017) Advancing the geographies of the performing arts. Progress in Human Geography 42:4, pages 549-568.
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Geraldine Pratt, Caleb Johnston & Vanessa Banta. (2017) Filipino migrant stories and trauma in the transnational field. Emotion, Space and Society 24, pages 83-92.
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Sarah de Leeuw, Margot W. Parkes, Vanessa Sloan Morgan, Julia Christensen, Nicole Lindsay, Kendra Mitchell-Foster & Julia Russell Jozkow. (2017) Going unscripted: A call to critically engage storytelling methods and methodologies in geography and the medical-health sciences. The Canadian Geographer / Le Géographe canadien 61:2, pages 152-164.
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Geraldine Pratt, Caleb Johnston & Vanessa Banta. (2017) Lifetimes of Disposability and Surplus Entrepreneurs in Bagong Barrio, Manila. Antipode 49:1, pages 169-192.
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Michelle Buckley, Siobhán McPhee & Ben Rogaly. (2017) Labour geographies on the move: Migration, migrant status and work in the 21st century. Geoforum 78, pages 153-158.
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Harriet Hawkins & Elizabeth R. Straughan. (2016) Geographical Aesthetics: Imagining Space, Staging Encounters edited by HarrietHawkins and ElizabethStraughan, Routledge, New York and London, 2015, 320 pp., cloth US$119.95 (ISBN 978-1409448013). The Canadian Geographer / Le Géographe canadien 60:3, pages e40-e43.
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Geraldine Pratt & Caleb Johnston. (2014) Filipina domestic workers, violent insecurity, testimonial theatre and transnational ambivalence. Area 46:4, pages 358-360.
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Clare Madge. (2014) On the creative (re)turn to geography: poetry, politics and passion. Area 46:2, pages 178-185.
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