Strange Countries and Secret Worlds in Ruth Rendell's Crime NovelsFootnote^*
* This article benefited considerably from suggestions made by Paul F. Starrs, Gary J. Hausladen, and several anonymous reviewers. I would also like to thank Lawrence D. McCann and J. Douglas Porteous for their helpful advice and encouragement, Jill Jahansoozi for her enthusiasm, and Kathie Merriam for encouraging appreciation of the mystery genre within our geography department.

Lisa KadonagaView further author information

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Carmen Pérez Ríu. (2017) Transition, circularity and haptic space in the representation of the city. From Ruth Rendell’s Live Flesh to Pedro Almodóvar’s Carne Trémula . Continuum 31:5, pages 682-693.
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Juha Ridanpää. (2010) A masculinist northern wilderness and the emancipatory potential of literary irony. Gender, Place & Culture 17:3, pages 319-335.
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Juha Ridanpää. (2007) Laughing at northernness: postcolonialism and metafictive irony in the imaginative geography. Social & Cultural Geography 8:6, pages 907-928.
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Katie Lanning. (2021) Local Attention: Melbourne on the Map in Fergus Hume’s Mystery of a Hansom Cab . The Journal of Popular Culture 54:6, pages 1331-1354.
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Marc Brosseau & Pierre-Mathieu Le Bel. (2007) Lecture chronotopique du polar. Géographie et cultures:61, pages 99-114.
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