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Studies in Conservation Volume 29, 1984 - Issue sup1: Preprints of the Contributions to the Paris Congress, 2-8 September 1984. Adhesives and Consolidants
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Original Articles

Influence of the modification of dispersions on film properties

E. De Witte
,
S. Florquin
&
M. Goessens-Landrie
Pages 32-35 | Published online: 13 Dec 2013

Citations (8)

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Read on this site (6)

Malgorzata Sawicki. (2017) Non-traditional gilding revisited: evaluation of gilded surfaces exposed to uncontrolled diurnal fluctuations for over 10 years. AICCM Bulletin 38:1, pages 15-24.
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Paul Ackroyd. (2002) The structural conservation of canvas paintings: changes in attitude and practice since the early 1970s. Studies in Conservation 47:sup1, pages 3-14.
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Paul M. Whitmore & Val G. Colaluca. (1995) The natural and accelerated aging of an acrylic artists' medium. Studies in Conservation 40:1, pages 51-64.
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Sheila Fairbrass. (1994) Dry‐mounting tissues used in conservation: Their nature and deterioration characteristics. Journal of the Society of Archivists 15:1, pages 73-81.
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Danielle Allard & Kenneth B. Katz. (1987) Quantitative Study: The Effects of Sized Materials and “Drying Time” in the Use of Lascaux 360 Hv as a Lining Adhesive. Journal of the American Institute for Conservation 26:1, pages 19-25.
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Sheila Fairbrass. (1986) THE PROBLEMS OF LARGE WORKS OF ART ON PAPER. The Paper Conservator 10:1, pages 3-9.
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Articles from other publishers (2)

Simon Steger, Gerhard Eggert, Wolfgang Horn & Christoph Krekel. (2022) Are cellulose ethers safe for the conservation of artwork? New insights in their VOC activity by means of Oddy testing. Heritage Science 10:1.
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Susie H. Clark. (2019) PRESERVATION OF HERBARIUM SPECIMENS: AN ARCHIVE CONSERVATOR'S APPROACH. TAXON 35:4, pages 675-682.
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