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Original Articles

The identification of aerinite as a blue pigment in the Romanesque frescoes of the Pyrenean Region

Pages 132-136 | Published online: 19 Jul 2013

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Alicia Miguélez Cavero. (2016) Looking ahead: new approaches to medieval Iberian heritage. Journal of Medieval Iberian Studies 8:2, pages 131-147.
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Articles from other publishers (7)

Guanyu WANG & Hejing WANG. (2020) The Environment Significance of Aerinite — First Discovered in the UBC Cliffs. Acta Geologica Sinica - English Edition 94:1, pages 103-113.
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Maurizio Aceto, Elisa Calà, Simone Cantamessa, Angelo Agostino, Gaia Fenoglio, Valerio Capra & Giulia Brun. (2019) From the Pyrenees to the Alps: Evidence of the use of aerinite on XII century fresco paintings at Novalesa abbey (Piemonte). Journal of Archaeological Science: Reports 25, pages 15-24.
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Ilaria Costantini, Kepa Castro & Juan Manuel Madariaga. (2018) Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings. Analytical Methods 10:40, pages 4854-4870.
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Robin J. H. Clark, Richard R. Hark, Nati Salvadó, Salvador Butí & Trinitat Pradell. (2010) Spectroscopy study of mural paintings from the Pyrenean Church of Saint Eulàlia of Unha. Journal of Raman Spectroscopy 41:11, pages 1418-1424.
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A. LLUVERAS, A. TORRENTS, P. GIRÁLDEZ & M. VENDRELL-SAZ. (2010) EVIDENCE FOR THE USE OF EGYPTIAN BLUE IN AN 11TH CENTURY MURAL ALTARPIECE BY SEM-EDS, FTIR AND SR XRD (CHURCH OF SANT PERE, TERRASSA, SPAIN). Archaeometry 52:2, pages 308-319.
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N. Salvadó, S. Butí, E. Pantos, F. Bahrami, A. Labrador & T. Pradell. (2007) The use of combined synchrotron radiation micro FT-IR and XRD for the characterization of Romanesque wall paintings. Applied Physics A 90:1, pages 67-73.
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David Hradil, Tomáš Grygar, Janka Hradilová & Petr Bezdička. (2003) Clay and iron oxide pigments in the history of painting. Applied Clay Science 22:5, pages 223-236.
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