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Studies in Conservation Volume 55, 2010 - Issue sup2: Conservation and the Eastern Mediterranean: Contributions to the Istanbul Congress, September 2010
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Articles

PAINTED ROCK-CUT TOMBS IN CYPRUS FROM THE HELLENISTIC AND ROMAN PERIODS TO BYZANTIUM: MATERIAL PROPERTIES, DEGRADATION PROCESSES AND SUSTAINABLE PRESERVATION STRATEGIES

Ioanna Kakoulli
,
Christian Fischer
&
Demetrios Michaelides
Pages 96-102 | Published online: 13 Dec 2013

Citations (7)

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Julia Burdajewicz. (2018) Petrographic analyses of the substrate of a wall painting from the south-west church at Sa’adon in the Negev. Levant 50:3, pages 387-395.
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Articles from other publishers (6)

Roxanne Radpour, Glenn A. Gates, Ioanna Kakoulli & John K. Delaney. (2022) Identification and mapping of ancient pigments in a Roman Egyptian funerary portrait by application of reflectance and luminescence imaging spectroscopy. Heritage Science 10:1.
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Roxanne Radpour, John K. Delaney & Ioanna Kakoulli. (2022) Acquisition of High Spectral Resolution Diffuse Reflectance Image Cubes (350–2500 nm) from Archaeological Wall Paintings and Other Immovable Heritage Using a Field-Deployable Spatial Scanning Reflectance Spectrometry Hyperspectral System. Sensors 22:5, pages 1915.
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Roxanne Radpour, Christian Fischer & Ioanna Kakoulli. (2019) New Insight into Hellenistic and Roman Cypriot Wall Paintings: An Exploration of Artists’ Materials, Production Technology, and Technical Style. Arts 8:2, pages 74.
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John K. Delaney, Kathryn A. Dooley, Roxanne Radpour & Ioanna Kakoulli. (2017) Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt. Scientific Reports 7:1.
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Ioanna Kakoulli, Roxanne Radpour, Yuan Lin, Marie Svoboda & Christian Fischer. (2017) Application of forensic photography for the detection and mapping of Egyptian blue and madder lake in Hellenistic polychrome terracottas based on their photophysical properties. Dyes and Pigments 136, pages 104-115.
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Ioanna Kakoulli, Sergey V. Prikhodko, Andrew King & Christian Fischer. (2014) Earliest evidence for asbestos composites linked to Byzantine wall paintings production. Journal of Archaeological Science 44, pages 148-153.
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